{"id":5852,"date":"2025-11-13T11:15:35","date_gmt":"2025-11-13T10:15:35","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/temps-fort\/2021\/"},"modified":"2026-02-02T11:04:05","modified_gmt":"2026-02-02T10:04:05","slug":"2021","status":"publish","type":"temps-fort","link":"https:\/\/ensemblepygmalion.com\/en\/temps-fort\/2021\/","title":{"rendered":"2021"},"content":{"rendered":"\n
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Fred Mortagne<\/figcaption><\/figure>\n\n\n\n

B<\/span>rahms\u2019s<\/span> h<\/span>uman<\/span> r<\/span>equiem:<\/span> a<\/span>n i<\/span>mmersive<\/span> e<\/span>xperience<\/span> a<\/span>t t<\/span>he<\/span> B<\/span>ordeaux<\/span> s<\/span>ubmarine<\/span> b<\/span>ase<\/span><\/h2>\n\n\n\n

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For the second edition of its Pulsations festival, Pygmalion performs this monumental choral work in an immersive and interactive version conceived by Jochen Sandig. Created in Berlin in 2012 as a stage production where the boundary between audience and performers is blurred in favour of community, this production has been reimagined and adapted for the immense concrete vessel that is the submarine base. In this venue, A German Requiem<\/em> feels more than ever like a plunge into the depths of the human heart, offering immense consolation and a genuine promise of light after pain. It is an immersive experience that resonates as a liberation in the midst of a pandemic.<\/p>\n\n\n\n

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Fred Mortagne<\/figcaption><\/figure>\n\n\n\n

B<\/span>rahms\u2019s<\/span> h<\/span>uman<\/span> r<\/span>equiem:<\/span> a<\/span>n i<\/span>mmersive<\/span> e<\/span>xperience<\/span> a<\/span>t t<\/span>he<\/span> B<\/span>ordeaux<\/span> s<\/span>ubmarine<\/span> b<\/span>ase<\/span><\/h2>\n\n\n\n

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\u2018An event at the Pulsations festival, created in 2020 by conductor Rapha\u00ebl Pichon, Brahms’ sacred masterpiece transcends memories of war and hopes for peace. The sensation is intense, bringing tears to the eyes behind the masks. (…) Blessed is the grateful audience that gave a long ovation to this extraordinary, humane Requiem.\u2019 (Le Monde<\/em>, Marie-Aude Roux, 2021)<\/p>\n\n\n\n

\u2018\u2018\u2018I cried for all my dead,\u201d says one spectator, wiping her eyes at the end of this human Requiem<\/em>. A performance that moves, captivates and challenges. The Bordeaux submarine base is plunged into darkness, where spectators are invited to wander among the pools. We timidly enter… a tomb. The soft music of Johannes Brahms rises around us. It is reassuring: \u2018Blessed are those who mourn, for they shall be comforted.\u2019 Singers walk alongside us. The crowd follows the piano they pull along, like a funeral procession. The chords, the melody and the voices are not far away but right there, enveloping us, almost inside us.\u2019 (Sud-Ouest<\/em>, S\u00e9verine Garnier, 2021)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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