{"id":5850,"date":"2025-11-13T11:29:12","date_gmt":"2025-11-13T10:29:12","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/temps-fort\/2014\/"},"modified":"2026-01-14T15:07:28","modified_gmt":"2026-01-14T14:07:28","slug":"2014","status":"publish","type":"temps-fort","link":"https:\/\/ensemblepygmalion.com\/en\/temps-fort\/2014\/","title":{"rendered":"2014"},"content":{"rendered":"\n
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Mathilde Assier<\/figcaption><\/figure>\n\n\n\n

P<\/span>ygmalion,<\/span> a<\/span>rtist-in-residence<\/span> a<\/span>t t<\/span>he<\/span> O<\/span>p\u00e9ra<\/span> N<\/span>ational<\/span> d<\/span>e B<\/span>ordeaux<\/span><\/h2>\n\n\n\n

Numerous exceptional concerts have been held at the Auditorium, the Grand Th\u00e9\u00e2tre, and in unconventional settings: Rossi\u2019s Orfeo<\/em>, Purcell\u2019s Miranda<\/em>, Mendelssohn\u2019s Elias<\/em>, Mozart\u2019s Requiem<\/em>, Monteverdi’s Vespers<\/em> (at Basilique Saint-Seurin), Enfers<\/em> with St\u00e9phane Degout, as well as numerous projects dedicated to Bach. The ONB and Pygmalion have succeeded in attracting a large and loyal audience.<\/p>\n\n\n\n

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Etienne Gautier<\/figcaption><\/figure>\n\n\n\n

P<\/span>ygmalion,<\/span> a<\/span>rtist-in-residence<\/span> a<\/span>t t<\/span>he<\/span> O<\/span>p\u00e9ra<\/span> N<\/span>ational<\/span> d<\/span>e B<\/span>ordeaux<\/span><\/h2>\n\n\n\n


With strong ties to Bordeaux since 2010, Pygmalion formally took up residence at the Op\u00e9ra National de Bordeaux in 2014, with programmes focusing on Bach, Mozart, and Rameau. In the following year, Dardanus<\/em> would become the first opera to be staged by Pygmalion (stage director: Michel Fau).<\/p>\n\n\n\n

A long-term residency has provided artistic support for the ensemble\u2019s projects, ensured continuity of programming for the Bordeaux public, and enabled the development of long-term educational and regional projects. Every two years, co-productions between the Op\u00e9ra National de Bordeaux and Pygmalion appear as part of the Pulsations festival, which features novel repertoire and settings, as the listening experience extends beyond the usual formats and outside the walls of the usual venues.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Mathilde Assier<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Mathilde Assier<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Mathilde Assier<\/figcaption><\/figure>\n<\/div>\n<\/div>\n","protected":false},"featured_media":0,"template":"","class_list":["post-5850","temps-fort","type-temps-fort","status-publish","hentry"],"acf":[],"yoast_head":"\n2014 - Pygmalion<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ensemblepygmalion.com\/en\/temps-fort\/2014\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2014 - Pygmalion\" \/>\n<meta property=\"og:description\" content=\"Pygmalion, artist-in-residence at the Op\u00e9ra National de Bordeaux Numerous exceptional concerts have been held at the Auditorium, the Grand Th\u00e9\u00e2tre, and in unconventional settings: Rossi\u2019s Orfeo, Purcell\u2019s Miranda, Mendelssohn\u2019s Elias, Mozart\u2019s Requiem, Monteverdi’s Vespers (at Basilique Saint-Seurin), Enfers with St\u00e9phane Degout, as well as numerous projects dedicated to Bach. 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