{"id":5846,"date":"2025-11-10T16:53:39","date_gmt":"2025-11-10T15:53:39","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/temps-fort\/2007\/"},"modified":"2026-02-03T12:00:16","modified_gmt":"2026-02-03T11:00:16","slug":"2007","status":"publish","type":"temps-fort","link":"https:\/\/ensemblepygmalion.com\/en\/temps-fort\/2007\/","title":{"rendered":"2007"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column has-brown-color has-text-color has-link-color wp-elements-9f7994957a365a522786fe23f8063269 is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"936\" height=\"1835\" src=\"https:\/\/ensemblepygmalion.alwaysdata.net\/\/wp-content\/uploads\/2025\/11\/Chaise_Dieu-2007-1.jpg\" alt=\"\" class=\"wp-image-4358\" srcset=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/11\/Chaise_Dieu-2007-1.jpg 936w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/11\/Chaise_Dieu-2007-1-153x300.jpg 153w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/11\/Chaise_Dieu-2007-1-522x1024.jpg 522w\" sizes=\"auto, (max-width: 936px) 100vw, 936px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left title hide-desktop has-white-color has-text-color has-link-color wp-elements-fe32d07c723f57e764d9f937302d993a\"><span class='first-char'>F<\/span>estiva<span class='last-char'>l<\/span> <span class='first-char'>o<\/span>f <span class='first-char'>L<\/span>a <span class='first-char'>C<\/span>haise-Dieu<span class='last-char'>,<\/span> <span class='first-char'>a<\/span> <span class='first-char'>s<\/span>umme<span class='last-char'>r<\/span> <span class='first-char'>r<\/span>endezvou<span class='last-char'>s<\/span> <span class='first-char'>f<\/span>o<span class='last-char'>r<\/span> <span class='first-char'>t<\/span>h<span class='last-char'>e<\/span> <span class='first-char'>y<\/span>oun<span class='last-char'>g<\/span> <span class='first-char'>P<\/span>ygmalio<span class='last-char'>n<\/span><\/h2>\n\n\n\n<p class=\"has-text-align-left has-white-color has-text-color has-link-color wp-elements-5864b4abae87beb9ae07ff67d5fabbda wp-block-paragraph\">\u2018Rapha\u00ebl Pichon has a sense of fluidity and articulation that gives his Bach a narrative boldness and an appealing plasticity. His Bach is also ours. A Bach of fervent tenderness and the fashioning of lofty, moving transparencies. Did fate assign the ensemble the name \u2018Pygmalion\u2019? Do not these gifted musicians embrace the music they bring to life? Their playing is focused on both a skilfully premeditated interpretative clarity and an exemplary tonal balance. They celebrate these <em>Missae breves<\/em> with a stimulating vigour. There is nothing intimidating about this Bach. And yet there is immense respect. Even love.\u2019 (<em>La Montagne<\/em>, 2007)<\/p>\n\n\n\n<p class=\"has-text-align-left has-white-color has-text-color has-link-color wp-elements-667ee5e0e21372d215d8eaee1cc25c8d wp-block-paragraph\">\u2018The music has the freshness and spontaneity of the conductor and those who follow his lead.\u2019 (<em>La Montagne<\/em>, Roland Duclos, 2010)<\/p>\n\n\n\n<p class=\"has-text-align-left has-white-color has-text-color has-link-color wp-elements-0b587329ae95ecc8017a1dc860a63f85 wp-block-paragraph\">\u2018Rapha\u00ebl Pichon has confirmed his status as an outsider in the world of Baroque music. This young 28-year-old conductor displays a disconcerting serenity, and a maturity and personality that are remarkable. The search for diaphanous sound combinations, the obsessive balance between voices and instruments, the fluidity of the musical lines, and, above all, the spirituality of the inspiration radiate from the interpretations conveyed as leader of the Pygmalion ensemble.\u2019 (<em>Le Progr\u00e8s<\/em>, Antonio Mafra, 2012)<\/p>\n\n\n\n<p class=\"has-text-align-left has-white-color has-text-color has-link-color wp-elements-4edeeeee09a8e8297b9901004184a7de wp-block-paragraph\">\u2018The Festival de La Chaise-Dieu and Pygmalion display a beautiful mutual regard.\u2019 (<em>ResMusica<\/em>, Jean-No\u00ebl D\u00e9mard, 2013)<\/p>\n\n\n\n<p class=\"has-text-align-left has-brown-color has-text-color has-link-color wp-elements-35005c914675bb889adb411d1323e0d6 wp-block-paragraph\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column has-brown-color has-text-color has-link-color wp-elements-bfa8e73dc107550af43cf31de57b5922 is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">\n<div style=\"height:277px\" aria-hidden=\"true\" class=\"wp-block-spacer hide-mobile\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left title hide-mobile has-white-color has-text-color has-link-color wp-elements-77a666f21ed637983e7ac28169b71749\"><span class='first-char'>F<\/span>estiva<span class='last-char'>l<\/span> <span class='first-char'>o<\/span>f <span class='first-char'>L<\/span>a <span class='first-char'>C<\/span>haise-Dieu<span class='last-char'>,<\/span> <span class='first-char'>a<\/span> <span class='first-char'>s<\/span>umme<span class='last-char'>r<\/span> <span class='first-char'>r<\/span>endezvou<span class='last-char'>s<\/span> <span class='first-char'>f<\/span>o<span class='last-char'>r<\/span> <span class='first-char'>t<\/span>h<span class='last-char'>e<\/span> <span class='first-char'>y<\/span>oun<span class='last-char'>g<\/span> <span class='first-char'>P<\/span>ygmalio<span class='last-char'>n<\/span><\/h2>\n\n\n\n<p class=\"has-text-align-left has-black-color has-text-color has-link-color wp-elements-0cca6bb5e618f63f3ef02f40acd70878 wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-left has-white-color has-text-color has-link-color wp-elements-22c05d70b3ab19563e61a937169bd6d3 wp-block-paragraph\">Pygmalion performed at the Abbey Church of Saint Robert for the first time during the 41st edition of the Festival of La Chaise-Dieu. In this historic venue, long dedicated to sacred music, Pygmalion performed the programme that established its reputation: J. S. Bach&#8217;s <em>Missae breves<\/em>. For Jean-Michel Math\u00e9, then director of the festival, \u2018meeting Rapha\u00ebl Pichon and his ensemble, Pygmalion, was a revelation. Beyond the obvious artistic quality of what I heard, I was struck by Rapha\u00ebl&#8217;s personality: the intelligence and mastery of his interpretation, the high standards set and the warmth extended to his team, an ambition tinged with modesty shown by an intelligent approach to a historically wide-ranging repertoire. He has instantly achieved parity with such leading artists as Philippe Herreweghe and Michel Corboz, while bringing a freshness, commitment, and personal interpretation to his work. This was the beginning of an artistic and personal friendship that has lasted for almost 20 years.\u2019<\/p>\n\n\n\n<p class=\"has-text-align-left has-white-color has-text-color has-link-color wp-elements-d281df0784e69756e6ddb6bba727dfa9 wp-block-paragraph\">The summer festival has become an event that showcases the evolution of the ensemble: Bach\u2019s <em>Missae breves<\/em>, cantatas, <em>Missa 1733<\/em>, and <em>St John Passion<\/em>, as well as the first outing by Pygmalion of Brahms\u2019s <em>A<\/em> <em>German Requiem<\/em>. In 2016, on the occasion of its 10th anniversary, Pygmalion chose La Chaise-Dieu for the premiere of <em>Stravaganza d&#8217;Amore<\/em>, a great fresco dedicated to the musical interludes first played in the late 16th century at the Medici court in Florence. Opera was born! \u2018The climax of this beautifully staged, lively, rousing, and richly rewarding concert was Cavalieri\u2019s <em>Che nuovo miracolo<\/em>. A magnificent \u2018miracle\u2019 and a distillation of Pygmalion\u2019s qualities: youth, accuracy, infectious energy and imagination, much appreciated by the audience.\u2019 (<em>ResMusica<\/em>, Jean-No\u00ebl D\u00e9mard, 2016)<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-right:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20)\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"510\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/11\/Pygmalion_La_Chaise-Dieu_2007_Gerard-Cavailles_2_small.jpg\" alt=\"\" class=\"wp-image-4369\" style=\"aspect-ratio:4\/3;object-fit:cover\" srcset=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/11\/Pygmalion_La_Chaise-Dieu_2007_Gerard-Cavailles_2_small.jpg 800w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/11\/Pygmalion_La_Chaise-Dieu_2007_Gerard-Cavailles_2_small-300x191.jpg 300w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-right:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20)\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/ensemblepygmalion.alwaysdata.net\/\/wp-content\/uploads\/2025\/11\/Pygmalion_La_Chaise-Dieu_2007_Gerard-Cavailles_small.jpg\" alt=\"\" class=\"wp-image-4373\" style=\"aspect-ratio:4\/3;object-fit:cover\" srcset=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/11\/Pygmalion_La_Chaise-Dieu_2007_Gerard-Cavailles_small.jpg 900w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/11\/Pygmalion_La_Chaise-Dieu_2007_Gerard-Cavailles_small-300x200.jpg 300w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-right:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20)\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"662\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/11\/Un-Requiem-allemand-La-Chaise-Dieu.jpg\" alt=\"\" class=\"wp-image-4116\" style=\"aspect-ratio:4\/3;object-fit:cover\" srcset=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/11\/Un-Requiem-allemand-La-Chaise-Dieu.jpg 1000w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/11\/Un-Requiem-allemand-La-Chaise-Dieu-300x199.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-5846","temps-fort","type-temps-fort","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2007 - Pygmalion<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ensemblepygmalion.com\/en\/temps-fort\/2007\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2007 - Pygmalion\" \/>\n<meta property=\"og:description\" content=\"Festival of La Chaise-Dieu, a summer rendezvous for the young Pygmalion \u2018Rapha\u00ebl Pichon has a sense of fluidity and articulation that gives his Bach a narrative boldness and an appealing plasticity. 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