{"id":7868,"date":"2026-06-08T11:41:28","date_gmt":"2026-06-08T09:41:28","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/programme\/le-noctambule\/"},"modified":"2026-06-08T17:18:41","modified_gmt":"2026-06-08T15:18:41","slug":"le-noctambule","status":"publish","type":"programme","link":"https:\/\/ensemblepygmalion.com\/en\/programme\/le-noctambule\/","title":{"rendered":"Noctambule"},"content":{"rendered":"
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\u201cThis programme is like a vast inner journey, a kind of musical narrative where the pieces dialogue to tell the story of a single quest: the quest for a peace that is impossible to attain fully in a world haunted by doubt, grief, ghosts and the desire for the absolute. More than a succession of scores, the concert is conceived as a wandering through the various states of the German Romantic soul.\u201d (Rapha\u00ebl Pichon)<\/strong>

Sixty years separate Gruppe aus dem Tartarus<\/em>, composed by Franz Schubert in 1816, from Johannes Brahms\u2019s First Symphony, premiered in 1876. Between these two dates lies Richard Wagner\u2019s Siegfried-Idyll<\/em>, composed to mark the birth of their son Siegfried and presented to Cosima for her birthday on 25 December 1870. Three works, three generations, three moments in German Romanticism. But also a single story: the legacy left by Schubert to all Germanic music of the 19th century. Behind the young Schubert setting Schiller to music, behind Wagner gifting his wife a secret score played in the early hours on the staircase of their villa in Tribschen, behind Brahms finally completing the symphony he had dreaded writing for over twenty years, the same artistic lineage emerges.<\/p>\n\n\n\n


Concert broadcast live on France Musique on 15 July 2026.<\/strong><\/p>\n\n\n

\n
St\u00e9phane Degout<\/span>, baritone<\/span><\/div>
Pygmalion<\/span>, orchestra<\/span><\/div>
Rapha\u00ebl Pichon<\/span>, direction<\/span><\/div> <\/div>\n \n \n\n\n\n

Programme<\/h4>\n\n\n\n

Franz Schubert (1797\u20131828), Der Doppelg\u00e4nger<\/em> based on a poem by Heinrich Heine (orch. Franz Liszt)
Franz Schubert, Symphony No. 8 in B minor, D. 759, known as the \u2018Unfinished\u2019
Franz Schubert, Gruppe aus dem Tartarus<\/em> based on a poem by Friedrich Schiller, Op. 24 No. 1, D. 583 (orch. Johannes Brahms)
Franz Schubert, Symphony in B minor, D. 759, known as the \u2018Unfinished\u2019 Symphony
Franz Schubert, Nacht und Tr\u00e4ume<\/em>, based on a poem by Matth\u00e4us von Collin, Op. 43 No. 2, D. 827 (orch. Max Reger)
Richard Wagner (1813\u20131883), Siegfried-Idyll
*****
Johannes Brahms (1833\u20131897), Symphony No. 1 in C minor, Op. 68<\/p>\n\n\n\n

\n \n

D<\/span>ates<\/span><\/h2>\n \n
\n
\n
\n \n\n
\n\t\t
\n\t\tAix-en-Provence\t<\/div>\n\t\t\t
\n\t\tJuly 7, 2026\t<\/div>\t\n\t\t\t
\n\t\t19h\t<\/div>\n\t\t\t
\n\t\tGrand Th\u00e9\u00e2tre de Provence (France) \t<\/div>\n\t\t\t
\n\t\tBOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div> <\/div>\n
\n \n\n
\n\t\t
\n\t\tMontpellier\t<\/div>\n\t\t\t
\n\t\tJuly 15, 2026\t<\/div>\t\n\t\t\t
\n\t\t20h\t<\/div>\n\t\t\t
\n\t\tLe Corum (France) \t<\/div>\n\t\t\t
\n\t\tBOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div> <\/div>\n
\n \n\n
\n\t\t
\n\t\tRavello\t<\/div>\n\t\t\t
\n\t\tJuly 17, 2026\t<\/div>\t\n\t\t\t
\n\t\t20h\t<\/div>\n\t\t\t
\n\t\tBelvedere di Villa Rufolo (Italie) \t<\/div>\n\t\t\t
\n\t\tBOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div> <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n \n\n<\/div>\n\n
\n\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n<\/div>\n\n
<\/div>\n<\/div><\/div>\n\n\n

<\/p>\n\n\n\n \n \n \n\n\n\n\n\n

\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n\n <\/a>\n<\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cThis programme is like a vast inner journey, a kind of musical narrative where the pieces dialogue to tell the story of a single quest: the quest for a peace that is impossible to attain fully in a world haunted by doubt, grief, ghosts and the desire for the absolute. More than a succession of scores, the concert is conceived as a wandering through the various states of the German Romantic soul.\u201d (Rapha\u00ebl Pichon)<\/p>\n","protected":false},"featured_media":7850,"template":"","genre":[19],"saison":[17],"class_list":["post-7868","programme","type-programme","status-publish","has-post-thumbnail","hentry","genre-concerts","saison-saison-25-26"],"acf":[],"yoast_head":"\nNoctambule - Pygmalion<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ensemblepygmalion.com\/en\/programme\/le-noctambule\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Noctambule - Pygmalion\" \/>\n<meta property=\"og:description\" content=\"\u201cThis programme is like a vast inner journey, a kind of musical narrative where the pieces dialogue to tell the story of a single quest: the quest for a peace that is impossible to attain fully in a world haunted by doubt, grief, ghosts and the desire for the absolute. 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