{"id":6568,"date":"2026-01-22T17:22:25","date_gmt":"2026-01-22T16:22:25","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/programme\/welt-gute-nacht-copie\/"},"modified":"2026-02-16T13:27:27","modified_gmt":"2026-02-16T12:27:27","slug":"welt-gute-nacht_2026","status":"publish","type":"programme","link":"https:\/\/ensemblepygmalion.com\/en\/programme\/welt-gute-nacht_2026\/","title":{"rendered":"Welt, gute Nacht"},"content":{"rendered":"
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Programme <\/h2>\n\n\n\n

Adam Drese<\/strong>, \u00ab Nun ist alles \u00fcberwunden \u00bb<\/em>, aria
Dietrich Buxtehude<\/strong>, \u00ab Jesu, meines Lebens Leben <\/em>\u00bb, <\/em>cantata BuxWV 62 
Johann Michael Bach<\/strong>, \u00ab Auf, lasst uns den Herren loben <\/em>\u00bb, cantata : Sinfonia<\/em>
Philipp Heinrich Erlebach<\/strong>, \u00ab Himmel, du wei\u00dft meine Plagen<\/em> \u00bb, aria
Philipp Heinrich Erlebach<\/strong>, \u00ab Meine Seufzer, meine Klagen<\/em> \u00bb, aria
Melchior Franck<\/strong>, \u00ab Ich bin so m\u00fcd vom Seufzen <\/em>\u00bb, Psalm 6 \u00ab Ach Herr, straf mich nicht in deinem Zorn \u00bb
Johann Christoph Bach<\/strong>, \u00ab Ach, dass ich Wassers gnug h\u00e4tte <\/em>\u00bb, lamento
Johann Christoph Bach<\/strong>, \u00ab F\u00fcrchte dich nicht <\/em>\u00bb, motet
Nicolaus Bruhns<\/strong>, \u00ab De Profundis clamavi <\/em>\u00bb, sacred concerto
Hans Leo Hassler<\/strong>, \u00ab Ach weh des Leiden <\/em>\u00bb
Heinrich Sch\u00fctz<\/strong>, \u00ab Erbarm dich mein, o Herre Gott <\/em>\u00bb, sacred concerto SWV 447 : Sinfonia<\/em> 
Philipp Heinrich Erlebach<\/strong>, \u00ab Wer sich dem Himmel \u00fcbergeben <\/em>\u00bb, aria
Johann Christoph Bach<\/strong>, \u00ab Herr, wende dich und sei mir gn\u00e4dig <\/em>\u00bb, cantata
Johann Michael Bach<\/strong>, Ach wie sehnlich wart ich der Zeit – Sinfonia<\/em>
Johann Christoph Bach<\/strong>, Es ist nun aus mit meinem Leben<\/em>, motet
Johann Sebastian Bach<\/strong>, \u00ab Nach dir, Herr, verlanget mich<\/em> \u00bb<\/em>, BWV 150<\/p>\n\n<\/div>\n\n

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On tour and recording <\/h4>\n\n\n\n

The Thirty Years\u2019 War ravaged Germany in the early 17th century. The population, traumatised by the violence of the conflict, needed consolation and hope. The Protestant faith emerged as a bulwark against the death that lurked in everyday life.<\/p>\n\n\n\n

These political, economic and spiritual upheavals were reflected in the music of the time. The great polyphonies of the previous century gave way to much more intimate forms, inspired by the Pietist movement, which encouraged individual faith and pious living. Trostlieder<\/em> (songs of consolation) began to appear, and music became the language of the soul, capable of soothing the deepest afflictions. The texts and melodies were designed to stir the emotions and edify Christians.<\/p>\n\n\n\n

These short pieces, which move us with their humility, are imbued with a rare emotional intensity. And yet, despite their themes of mourning, sorrow and tears, they radiate a luminous clarity and serene confidence in the future. Death is but the threshold of deliverance and eternal bliss. The young J.S. Bach was strongly influenced by these miniatures, as can be seen in the early cantatas that have come down to us.<\/p>\n\n\n\n

Album to be released by harmonia mundi in 2027.<\/strong><\/p>\n\n\n\n

\n
<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n
\n
Julie Roset<\/span>, soprano<\/span><\/div>
Ma\u00eflys de Villoutreys<\/span>, soprano<\/span><\/div>
Perrine Devillers<\/span>, soprano<\/span><\/div>
Lucile Richardot \/ Blandine de Sansal<\/span>, alto<\/span><\/div>
William Shelton<\/span>, alto<\/span><\/div>
Zachary Wilder<\/span>, t\u00e9nor<\/span><\/div>
Antonin Rondepierre<\/span>, t\u00e9nor<\/span><\/div>
Tom\u00e1\u0161 Kr\u00e1l<\/span>, basse<\/span><\/div>
Christian Immler<\/span>, basse<\/span><\/div>
Renaud Br\u00e8s<\/span>, basse<\/span><\/div>
Sophie Gent, Louis Creac\u2019h<\/span>, violons<\/span><\/div>
Antoine Touche<\/span>, violoncelle <\/span><\/div>
Julien L\u00e9onard, Robin Pharo<\/span>, violes de gambe<\/span><\/div>
Thomas de Pierrefeu<\/span>, contrebasse <\/span><\/div>
Julien Martin, Evol\u00e8ne Kiener<\/span>, fl\u00fbtes<\/span><\/div>
Evol\u00e8ne Kiener<\/span>, basson<\/span><\/div>
Pernelle Marzorati<\/span>, harpe<\/span><\/div>
Thibaut Roussel<\/span>, th\u00e9orbe<\/span><\/div>
Ronan Khalil<\/span>, orgue<\/span><\/div>
Ronan Khalil<\/span>, clavecin<\/span><\/div>
Rapha\u00ebl Pichon<\/span>, direction<\/span><\/div> <\/div>\n \n \n\n<\/div>\n\n
<\/div>\n<\/div><\/div>\n\n\n
\n \n

D<\/span>ates<\/span><\/h2>\n \n
\n
\n
\n \n\n
\n\t\t
\n\t\tAmsterdam\t<\/div>\n\t\t\t
\n\t\tFebruary 6, 2026\t<\/div>\t\n\t\t\t
\n\t\t20h15\t<\/div>\n\t\t\t
\n\t\tMuziekgebouw (Netherlands) \t<\/div>\n\t\t\t
\n\t\tBOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div> <\/div>\n
\n \n\n
\n\t\t
\n\t\tEssen\t<\/div>\n\t\t\t
\n\t\tFebruary 7, 2026\t<\/div>\t\n\t\t\t
\n\t\t19h\t<\/div>\n\t\t\t
\n\t\tTheater und Philharmonie (Germany) \t<\/div>\n\t\t\t
\n\t\tBOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div> <\/div>\n
\n \n\n
\n\t\t
\n\t\tLudwigsburg\t<\/div>\n\t\t\t
\n\t\tFebruary 8, 2026\t<\/div>\t\n\t\t\t
\n\t\t18h\t<\/div>\n\t\t\t
\n\t\tForum am Schlosspark (Germany) \t<\/div>\n\t\t\t
\n\t\tBOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div> <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n \n\n\n\n
\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
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\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n
\n \n \"\"\n <\/a>\n <\/div>\n\n \n\n <\/a>\n<\/div>\n\n\n\n
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<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

These short pieces, which move us with their humility, are imbued with a rare emotional intensity. And yet, despite their themes of mourning, sorrow and tears, they radiate a luminous clarity and serene confidence in the future.<\/p>\n","protected":false},"featured_media":4526,"template":"","genre":[19],"saison":[17],"class_list":["post-6568","programme","type-programme","status-publish","has-post-thumbnail","hentry","genre-concerts","saison-saison-25-26"],"acf":[],"yoast_head":"\nWelt, gute Nacht - Pygmalion<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ensemblepygmalion.com\/en\/programme\/welt-gute-nacht_2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Welt, gute Nacht - Pygmalion\" \/>\n<meta property=\"og:description\" content=\"These short pieces, which move us with their humility, are imbued with a rare emotional intensity. 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