{"id":5999,"date":"2025-07-25T16:40:30","date_gmt":"2025-07-25T14:40:30","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/programme\/le-chant-du-destin\/"},"modified":"2026-02-03T10:40:28","modified_gmt":"2026-02-03T09:40:28","slug":"le-chant-du-destin","status":"publish","type":"programme","link":"https:\/\/ensemblepygmalion.com\/en\/programme\/le-chant-du-destin\/","title":{"rendered":"The Song of Destiny"},"content":{"rendered":"<div  class=\"grids-section grids-is-advanced\" style=\"--_gs-gap-desktop:0px 0px;--_gs-m-desktop:0 0 0 0;--_gs-p-desktop:0 0 0 0;--_gs-bg-desktop:transparent none;--_gs-bg-xp-desktop:0px;--_gs-zi-desktop:auto;--_gs-d-desktop:block;--_gs-mw-desktop:calc(100% - 0 - 0);--_gs-gap-tablet:0px 0px;--_gs-m-tablet:0 0 0 0;--_gs-p-tablet:0 0 0 0;--_gs-bg-tablet:transparent none;--_gs-bg-xp-tablet:0px;--_gs-zi-tablet:auto;--_gs-d-tablet:block;--_gs-mw-tablet:calc(100% - 0 - 0);--_gs-gap-mobile:0px 0px;--_gs-m-mobile:0 0 0 0;--_gs-p-mobile:0 0 0 0;--_gs-bg-mobile:transparent none;--_gs-bg-xp-mobile:0px;--_gs-zi-mobile:auto;--_gs-d-mobile:block;--_gs-mw-mobile:calc(100% - 0 - 0);--_gs-columns:12;--_gs-rows:6\"><div class=\"grids-s-w_i\">\n<div class=\"grids-area\" style=\"--_ga-column:1\/7;--_ga-row:1\/7;--_ga-m-desktop:0 0 0 0;--_ga-p-desktop:0 0 0 0;--_ga-bg-desktop:transparent none;--_ga-zi-desktop:auto;--_ga-d-desktop:flex;--_ga-mw-desktop:calc(100% - 0 - 0);--_ga-m-tablet:0 0 0 0;--_ga-p-tablet:0 0 0 0;--_ga-bg-tablet:transparent none;--_ga-zi-tablet:auto;--_ga-d-tablet:flex;--_ga-mw-tablet:calc(100% - 0 - 0);--_ga-m-mobile:0 0 0 0;--_ga-p-mobile:0 0 0 0;--_ga-bg-mobile:transparent none;--_ga-zi-mobile:auto;--_ga-d-mobile:flex;--_ga-mw-mobile:calc(100% - 0 - 0)\">\n\n<p><strong>Pygmalion carries on its journey through romantic Germany with St\u00e9phane Degout, who&#8217;s already been part of a Schubertian dream and <em>A German Requiem<\/em>. Beyond Brahms&#8217; masterpiece, they share works haunted by the shadow of death.<\/strong><\/p>\n\n\n\n<p>Tamed by the composition of the <em>Requiem<\/em>, death regularly appears in Brahms&#8217;s work after 1868. This continues until his last four lieder, \u2018serious\u2019 songs of acceptance and meditation set to words from Luther&#8217;s Bible. In the meantime, he composed a <em>Song of Destiny<\/em>, a cappella motets, proverbs with religious texts and an imposing symphony, which took twenty years to complete.<\/p>\n\n\n\n<p>The Pygmalion choir and orchestra are the ideal performers for this eminently romantic and philosophical destiny, bringing to life large-scale vocal and orchestral pieces with a sombre tone and deep voices.<\/p>\n\n\n        <div class=\"distribution\">\n        <div class=\"artist\"><span class=\"name\">St\u00e9phane Degout<\/span>, <span class=\"role\">baritone<\/span><\/div><div class=\"artist\"><span class=\"name\">Rapha\u00ebl Pichon<\/span>, <span class=\"role\">direction<\/span><\/div><div class=\"artist\"><span class=\"name\">Pygmalion<\/span>, <span class=\"role\">choir & orchestra<\/span><\/div>    <\/div>\n    \n    \n\n\n\n<h4 class=\"wp-block-heading\">Programme<\/h4>\n\n\n\n<p class=\"has-violet-color has-text-color has-link-color wp-elements-13aba4ce88ef31a3cabd7914fd7e0d36\"><em>Zwei Motetten<\/em>, op. 74<br>&#8220;Warum ist das Licht gegeben dem M\u00fchseligen&#8221;<br><em>Vier ernste Ges\u00e4nge<\/em>, op. 121 (orch. Robert Percival)<br><em>Geistliches Lied<\/em> (orch. Robert Percival)<br>*<br><em>Schicksalslied<br>Symphonie n\u00b0 1<\/em><\/p>\n\n\n\n\n\n\n\n        <div class=\"block-programme-dates\">\n        <!-- date -->\n        <h2 class=\"title-date\"><span class='first-char'>D<\/span>ate<span class='last-char'>s<\/span><\/h2>\n                    \n        <div class=\"dates\">\n            <div class=\"row\">\n                            <div class=\"col-xs-6 col-md-6 col-lg-4\">\n                \n\n<div class=\"element-programm-date\">\n\t\t<div class=\"ville\">\n\t\tVersailles\t<\/div>\n\t\t\t<div class=\"date\">\n\t\tNovember 14, 2025\t<\/div>\t\n\t\t\t<div class=\"time\">\n\t\t20h\t<\/div>\n\t\t\t<div class=\"meta\">\n\t\tChapelle royale (France) \t<\/div>\n\t\t\t<div class=\"link-book\">\n\t\t<a href=\"https:\/\/www.operaroyal-versailles.fr\/event\/brahms-symphonie-n1\/\" target=\"_blank\">BOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div>                <\/div>\n                            <div class=\"col-xs-6 col-md-6 col-lg-4\">\n                \n\n<div class=\"element-programm-date\">\n\t\t<div class=\"ville\">\n\t\tBordeaux\t<\/div>\n\t\t\t<div class=\"date\">\n\t\tNovember 15, 2025\t<\/div>\t\n\t\t\t<div class=\"time\">\n\t\t20h\t<\/div>\n\t\t\t<div class=\"meta\">\n\t\tAuditorium de l'Op\u00e9ra (France) \t<\/div>\n\t\t\t<div class=\"link-book\">\n\t\t<a href=\"https:\/\/www.opera-bordeaux.com\/baroque-et-instruments-depoque-pygmalion-72012#a-propos\" target=\"_blank\">BOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div>                <\/div>\n                            <div class=\"col-xs-6 col-md-6 col-lg-4\">\n                \n\n<div class=\"element-programm-date\">\n\t\t<div class=\"ville\">\n\t\tParis\t<\/div>\n\t\t\t<div class=\"date\">\n\t\tNovember 16, 2025\t<\/div>\t\n\t\t\t<div class=\"time\">\n\t\t16h\t<\/div>\n\t\t\t<div class=\"meta\">\n\t\tPhilharmonie de Paris (France) \t<\/div>\n\t\t\t<div class=\"link-book\">\n\t\t<a href=\"https:\/\/philharmoniedeparis.fr\/fr\/activite\/concert-vocal\/28234-le-chant-du-destin\" target=\"_blank\">BOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div>                <\/div>\n                            <div class=\"col-xs-6 col-md-6 col-lg-4\">\n                \n\n<div class=\"element-programm-date\">\n\t\t<div class=\"ville\">\n\t\tHamburg\t<\/div>\n\t\t\t<div class=\"date\">\n\t\tNovember 19, 2025\t<\/div>\t\n\t\t\t<div class=\"time\">\n\t\t20h\t<\/div>\n\t\t\t<div class=\"meta\">\n\t\tElbPhilharmonie (Allemagne) \t<\/div>\n\t\t\t<div class=\"link-book\">\n\t\t<a href=\"https:\/\/www.elbphilharmonie.de\/de\/programm\/pygmalion-stephane-degout-raphael-pichon\/23519\" target=\"_blank\">BOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div>                <\/div>\n                            <div class=\"col-xs-6 col-md-6 col-lg-4\">\n                \n\n<div class=\"element-programm-date\">\n\t\t<div class=\"ville\">\n\t\tAntwerp\t<\/div>\n\t\t\t<div class=\"date\">\n\t\tNovember 20, 2025\t<\/div>\t\n\t\t\t<div class=\"time\">\n\t\t20h30\t<\/div>\n\t\t\t<div class=\"meta\">\n\t\tDe Singel (Belgique) \t<\/div>\n\t\t\t<div class=\"link-book\">\n\t\t<a href=\"https:\/\/desingel.be\/fr\/programme\/musique\/koor-orkest-pygmalion-raphael-pichon-intiem-tot-monumentaal\" target=\"_blank\">BOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div>                <\/div>\n                            <div class=\"col-xs-6 col-md-6 col-lg-4\">\n                \n\n<div class=\"element-programm-date\">\n\t\t<div class=\"ville\">\n\t\tAmsterdam\t<\/div>\n\t\t\t<div class=\"date\">\n\t\tNovember 22, 2025\t<\/div>\t\n\t\t\t<div class=\"time\">\n\t\t14h15\t<\/div>\n\t\t\t<div class=\"meta\">\n\t\tHet Concertgebouw (Pays-Bas) \t<\/div>\n\t\t\t<div class=\"link-book\">\n\t\t<a href=\"https:\/\/www.concertgebouw.nl\/concerten\/8923350-vintage-brahms-met-ensemble-pygmalion\" target=\"_blank\">BOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div>                <\/div>\n                            <div class=\"col-xs-6 col-md-6 col-lg-4\">\n                \n\n<div class=\"element-programm-date\">\n\t\t<div class=\"ville\">\n\t\tDortmund\t<\/div>\n\t\t\t<div class=\"date\">\n\t\tNovember 25, 2025\t<\/div>\t\n\t\t\t<div class=\"time\">\n\t\t18h\t<\/div>\n\t\t\t<div class=\"meta\">\n\t\tKonzerthaus (Allemagne) \t<\/div>\n\t\t\t<div class=\"link-book\">\n\t\t<a href=\"https:\/\/www.konzerthaus-dortmund.de\/de\/programm\/23-11-2025-raphael-pichon-dirigiert-brahms\" target=\"_blank\">BOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div>                <\/div>\n                        <\/div>\n        <\/div>\n    <\/div>\n    \n    \n\n<\/div>\n\n<div class=\"grids-area\" style=\"--_ga-column:8\/13;--_ga-row:1\/7;--_ga-m-desktop:0 0 0 0;--_ga-p-desktop:0 0 0 0;--_ga-bg-desktop:transparent none;--_ga-zi-desktop:auto;--_ga-d-desktop:flex;--_ga-mw-desktop:calc(100% - 0 - 0);--_ga-m-tablet:0 0 0 0;--_ga-p-tablet:0 0 0 0;--_ga-bg-tablet:transparent none;--_ga-zi-tablet:auto;--_ga-d-tablet:flex;--_ga-mw-tablet:calc(100% - 0 - 0);--_ga-m-mobile:0 0 0 0;--_ga-p-mobile:0 0 0 0;--_ga-bg-mobile:transparent none;--_ga-zi-mobile:auto;--_ga-d-mobile:flex;--_ga-mw-mobile:calc(100% - 0 - 0)\">\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Antwerpen\u00a9Mathilde_Assier-105-1024x683.jpg\" alt=\"\" class=\"wp-image-3825\" style=\"aspect-ratio:4\/3;object-fit:cover\" srcset=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Antwerpen\u00a9Mathilde_Assier-105-1024x683.jpg 1024w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Antwerpen\u00a9Mathilde_Assier-105-300x200.jpg 300w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Antwerpen\u00a9Mathilde_Assier-105.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/div>\n\n<div class=\"grids-area\" style=\"--_ga-column:7\/8;--_ga-row:1\/7;--_ga-m-desktop:0 0 0 0;--_ga-p-desktop:0 0 0 0;--_ga-bg-desktop:transparent none;--_ga-zi-desktop:auto;--_ga-d-desktop:flex;--_ga-mw-desktop:calc(100% - 0 - 0);--_ga-m-tablet:0 0 0 0;--_ga-p-tablet:0 0 0 0;--_ga-bg-tablet:transparent none;--_ga-zi-tablet:auto;--_ga-d-tablet:flex;--_ga-mw-tablet:calc(100% - 0 - 0);--_ga-m-mobile:0 0 0 0;--_ga-p-mobile:0 0 0 0;--_ga-bg-mobile:transparent none;--_ga-zi-mobile:auto;--_ga-d-mobile:flex;--_ga-mw-mobile:calc(100% - 0 - 0)\"><\/div>\n<\/div><\/div>\n\n\n\n\n\n\n    <!-- revue de presse -->\n        <div class=\"block-programme-press\">\n        <h2><span class='first-char'>p<\/span>ress revie<span class='last-char'>w<\/span><\/h2>\n\n        <div class=\"press-releases\">\n        <div class=\"row\">                \n                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Trouw                <\/div>\n                                            <div class=\"description\">\n                    <p>\u2018A Brahms performance rarely heard! And all this on Saint Cecilia&#8217;s Day, patron saint of music. She could not have received a more beautiful tribute than that of Pichon and his formidable musicians.\u2019 (Peter van der Lint, Nov. 2025)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    NCR                <\/div>\n                                            <div class=\"description\">\n                    <p>\u2018For open-minded Brahms enthusiasts, the enjoyment began last month with the release of a new recording of Ein deutsches Requiem. The verdict on this album (now widely listened to): incredible! Pygmalion and conductor Rapha\u00ebl Pichon have once again (Bach! Monteverdi!) succeeded in breathing new life into music you have known and loved for a long time, in such a way that you say to yourself: \u201cBut of course, this is how it should be interpreted.\u201d\u2019 (Mischa Spel, Nov. 2025)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Bachtrack                <\/div>\n                                            <div class=\"description\">\n                    <p>\u2018The phrasing, the (almost) total absence of vibrato and the fabulous charm of Koen Plaetinck&#8217;s timpani formed a captivating and intense language, serving as a basis for St\u00e9phane Degout&#8217;s singing, imbued with prophetic and oracular authority. An authority which, in perfect congruence with their respective essences, was based on a fantastic mastery of the baritone register and great intelligibility, in order to confer on love, in the finale &#8220;Wenn ich mit Menschen &#8211; und mit Engelszungen (If I spoke the languages of men and angels), the greatest of all hopes\u2019. (Jens Klier, Nov. 2025)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                <\/div>        <\/div>\n    <\/div>\n    \n    \n\n\n\n\n\n<div class=\"block-masonry-gallery masonry row-block-programme-block_6aeaf9c1fe66d578fc3ef8d3c21005e2 \">\n    \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"0\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Amsterdam\u00a9Mathilde_Assier-06.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Mathilde Assier\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Amsterdam\u00a9Mathilde_Assier-06.jpg\" alt=\"\" title=\"\u00a9 Mathilde Assier\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"100\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Antwerpen\u00a9Mathilde_Assier-013.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Mathilde Assier\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Antwerpen\u00a9Mathilde_Assier-013.jpg\" alt=\"\" title=\"\u00a9 Mathilde Assier\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"200\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Chant_du_destin_Philharmonie_de_Paris\u00a9Mathilde_Assier-46.jpg.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Mathilde Assier\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Chant_du_destin_Philharmonie_de_Paris\u00a9Mathilde_Assier-46.jpg.jpg\" alt=\"\" title=\"\u00a9 Mathilde Assier\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"300\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Antwerpen\u00a9Mathilde_Assier-047.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Mathilde Assier\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Antwerpen\u00a9Mathilde_Assier-047.jpg\" alt=\"\" title=\"\u00a9 Mathilde Assier\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"400\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Antwerpen\u00a9Mathilde_Assier-095.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Mathilde Assier\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Antwerpen\u00a9Mathilde_Assier-095.jpg\" alt=\"\" title=\"\u00a9 Mathilde Assier\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"500\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Chant_du_destin_Philharmonie_de_Paris\u00a9Mathilde_Assier-21-2.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Mathilde Assier\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Chant_du_destin_Philharmonie_de_Paris\u00a9Mathilde_Assier-21-2.jpg\" alt=\"\" title=\"\u00a9 Mathilde Assier\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"600\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Amsterdam\u00a9Mathilde_Assier-04.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Mathilde Assier\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Amsterdam\u00a9Mathilde_Assier-04.jpg\" alt=\"\" title=\"\u00a9 Mathilde Assier\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"700\" 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src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Brahms_Chant_du_destin_Dortmund\u00a9Mathilde_Assier-27.jpg\" alt=\"\" title=\"\u00a9 Mathilde Assier\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"900\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Chant_du_destin_Philharmonie_de_Paris\u00a9Mathilde_Assier-04.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Mathilde Assier\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Chant_du_destin_Philharmonie_de_Paris\u00a9Mathilde_Assier-04.jpg\" alt=\"\" title=\"\u00a9 Mathilde Assier\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"1000\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Chant_du_destin_Philharmonie_de_Paris\u00a9Mathilde_Assier-22.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Mathilde Assier\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Chant_du_destin_Philharmonie_de_Paris\u00a9Mathilde_Assier-22.jpg\" alt=\"\" title=\"\u00a9 Mathilde Assier\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"1100\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/2025_11_Chant_du_destin_Philharmonie_de_Paris\u00a9Mathilde_Assier-38.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Mathilde Assier\">\n                    <img decoding=\"async\" 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