{"id":5987,"date":"2026-01-09T13:01:25","date_gmt":"2026-01-09T12:01:25","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/programme\/les-chemins-de-bach-klangkosmos\/"},"modified":"2026-05-20T13:06:30","modified_gmt":"2026-05-20T11:06:30","slug":"les-chemins-de-bach-klangkosmos","status":"publish","type":"programme","link":"https:\/\/ensemblepygmalion.com\/en\/programme\/les-chemins-de-bach-klangkosmos\/","title":{"rendered":"In search of Bach \u00b7 Vertigo"},"content":{"rendered":"
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As part of In search of Bach<\/em>, a musical epic in the footsteps of Johann Sebastian Bach (May 21-May 30, 2026)<\/h5>\n\n\n\n

For this new and final edition of Bach’s Paths, Pygmalion begins its journey in Wolfenb\u00fcttel, where some of Bach’s mentors, Michael Praetorius and Heinrich Sch\u00fctz, were chapel masters. This city in Lower Saxony had libraries that gave young Bach access to the works of great Italian, French and English masters in music, dance, tragedy and more. Pygmalion will pay tribute to the city’s most iconic figure, Michael Praetorius, with a performance of Klangkosmos at the Hauptkirche in Wolfenb\u00fcttel.<\/p>\n\n\n\n

At the turn of the 17th century, German composers were all seeking to return to their Italian roots. Venice, with its soundscapes and spatial audacity, its cori spezzati and the triumph of polychorality, radiated its influence as far as Lutheran lands. But the Thirty Years’ War broke this momentum. Their expression became more intimate: these were the kleine geistliche Konzerte, heirs to Italian motets for solo voice and continuo.<\/p>\n\n\n\n

Constructed like a large ecumenical Lutheran vespers service, this programme brings together the great German and Italian masters: Praetorius, Sch\u00fctz, Scheidt, Monteverdi and Cavalli respond to each other in a play of echoes and alternations where polychorality becomes jubilation, vital overflow, sensual effusion \u2014 a celebration of a fusion that shaped European music.<\/p>\n\n\n\n

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Learn more
about In search of Bach<\/a><\/div>\n<\/div>\n\n\n\n
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Yerin Mira L\u00e4uchli<\/span>, soprano<\/span><\/div>
Perrine Devillers<\/span>, soprano<\/span><\/div>
Lucile Richardot<\/span>, alto<\/span><\/div>
Gwilym Bowen<\/span>, tenor<\/span><\/div>
Florian Sievers<\/span>, tenor<\/span><\/div>
Etienne Bazola<\/span>, bass<\/span><\/div>
Renaud Br\u00e8s<\/span>, bass<\/span><\/div>
Ren\u00e9 Ramos Premier<\/span>, bass<\/span><\/div>
Choir<\/b><\/div>
Armelle Cardot, Ad\u00e8le Carlier, Anne-Emmanuelle Davy, Perrine Devillers, Alice Foccroulle, Yerin Mira L\u00e4uchli, Nadia Lavoyer, Cl\u00e9mence Vidal<\/span>, soprano<\/span><\/div>
Corinne Bahuaud, Philippe Barth, Marie Pouchelon, Lucile Richardot<\/span>, altos<\/span><\/div>
Gwilym Bowen, Guillaume Gutierrez, Randol Rodriguez, Florian Sievers<\/span>, tenors<\/span><\/div>
Etienne Bazola, Renaud Br\u00e8s, Ren\u00e9 Ramos Premier, Emmanuel Vistorky<\/span>, bass<\/span><\/div>
Orchestra<\/b><\/div>
Louis Creac\u2019h<\/span>, violin 1<\/span><\/div>
Sophia Prodanova<\/span>, violin 2<\/span><\/div>
Lucile Boulanger*, Julien L\u00e9onard*, Sarah van Oudenhove*<\/span>, violas da gamba<\/span><\/div>
Antoine Touche*<\/span>, cello<\/span><\/div>
Thomas de Pierrefeu*<\/span>, double bass<\/span><\/div>
Julien Martin, Beno\u00eet To\u00efgo<\/span>, recorders<\/span><\/div>
Jasu Moisio, Lidewei de Sterck<\/span>, chalemies<\/span><\/div>
Evol\u00e8ne Kiener<\/span>, bassoon<\/span><\/div>
Gustavo Gargiulo, Richard Thomas<\/span>, trumpets and cornetts<\/span><\/div>
Max Eisenhut, Susanna Defendi, Fabio de Cataldo<\/span>, sackbut<\/span><\/div>
Sergio Bucheli*, Romain Falik*<\/span>, theorbos<\/span><\/div>
Pierre Gallon*<\/span>, organo<\/span><\/div>
Ronan Khalil*<\/span>, harpsichord<\/span><\/div>
*continuo<\/div>
Rapha\u00ebl Pichon<\/span>, conductor<\/span><\/div> <\/div>\n \n \n\n<\/div>\n\n
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D<\/span>ates<\/span><\/h2>\n \n
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\n\t\tWolfenb\u00fcttel\t<\/div>\n\t\t\t
\n\t\tMay 21, 2026\t<\/div>\t\n\t\t\t
\n\t\t19h30\t<\/div>\n\t\t\t
\n\t\tHauptkirche (Germany) \t<\/div>\n\t\t\t
\n\t\tBOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div> <\/div>\n
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\n\t\tLu\u0308neburg\t<\/div>\n\t\t\t
\n\t\tMay 24, 2026\t<\/div>\t\n\t\t\t
\n\t\t18h\t<\/div>\n\t\t\t
\n\t\tMichaeliskirche (Germany) \t<\/div>\n\t\t\t
\n\t\tBOOK<\/a>\n\t<\/div>\n\t\t\n\t\t\n<\/div> <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n \n\n\n\n
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For this new and final edition of Bach’s Paths, Pygmalion begins its journey in Wolfenb\u00fcttel, where some of Bach’s mentors, Michael Praetorius and Heinrich Sch\u00fctz, were chapel masters. This city in Lower Saxony had libraries that gave young Bach access to the works of great Italian, French and English masters in music, dance, tragedy and more.<\/p>\n","protected":false},"featured_media":5464,"template":"","genre":[19],"saison":[17],"class_list":["post-5987","programme","type-programme","status-publish","has-post-thumbnail","hentry","genre-concerts","saison-saison-25-26"],"acf":[],"yoast_head":"\nIn search of Bach \u00b7 Vertigo - Pygmalion<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ensemblepygmalion.com\/en\/programme\/les-chemins-de-bach-klangkosmos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"In search of Bach \u00b7 Vertigo - Pygmalion\" \/>\n<meta property=\"og:description\" content=\"For this new and final edition of Bach's Paths, Pygmalion begins its journey in Wolfenb\u00fcttel, where some of Bach's mentors, Michael Praetorius and Heinrich Sch\u00fctz, were chapel masters. 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