{"id":2820,"date":"2025-09-11T11:36:57","date_gmt":"2025-09-11T09:36:57","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/enregistrement\/kothener-trauermusik\/"},"modified":"2026-01-21T15:07:23","modified_gmt":"2026-01-21T14:07:23","slug":"kothener-trauermusik","status":"publish","type":"enregistrement","link":"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/kothener-trauermusik\/","title":{"rendered":"K\u00f6thener Trauermusik"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:41.6%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1647\" height=\"1482\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/2014_visuel-trauermusik.jpg\" alt=\"\" class=\"wp-image-2724\" srcset=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/2014_visuel-trauermusik.jpg 1647w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/2014_visuel-trauermusik-300x270.jpg 300w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/2014_visuel-trauermusik-1024x921.jpg 1024w\" sizes=\"auto, (max-width: 1647px) 100vw, 1647px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:8.3%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">K\u00f6thener Trauermusik, BWV 244a<\/h2>\n\n\n\n<h5 class=\"wp-block-heading\">Johann Sebastian Bach<\/h5>\n\n\n\n<p>When Leopold of Anhalt-C\u00f6then died in 1728, his former Kapellmeister had not forgotten the five brilliant years he had spent in the prince\u2019s service. He dedicated to his memory a mourning cantata almost entirely based on the music of two major works of the mid-1720s, the&nbsp;<em>Trauer-Ode<\/em>&nbsp;and the<em>&nbsp;St Matthew<\/em>&nbsp;<em>Passion<\/em>. Although the score is lost, the wordbook and other sources of information have now made it possible to reconstruct the work. In his first recording for harmonia mundi, Rapha\u00ebl Pichon invites us on an exciting musical treasure hunt.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-space-between is-layout-flex wp-container-core-buttons-is-layout-e3bc7287 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-violet-background-color has-background wp-element-button\" href=\"https:\/\/www.harmoniamundi.com\/en\/albums\/kothener-trauermusik-bwv-244a\/\">BUY<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>harmonia mundi, 13 October 2014.<br>1 CD &#8211; 1h13.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Awards<\/h3>\n\n\n\n    <!-- revue de presse -->\n        <div class=\"block-recompenses\">\n        <div class=\"recompenses\">\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/choix_france_musique.webp\" alt=\"\">\n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/telerama.webp\" alt=\"\">\n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/classica_logochoc.jpg-150x150.webp\" alt=\"\">\n                                \n                                        <\/div>\n                <\/div>\n    <\/div>\n    \n    \n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<iframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/fr\/album\/j-s-bach-k%C3%B6thener-trauermusik-bwv-244a\/916745509\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n    <!-- revue de presse -->\n        <div class=\"block-programme-press\">\n        <h2><span class='first-char'>L<\/span>a presse en parl<span class='last-char'>e<\/span><\/h2>\n\n        <div class=\"press-releases\">\n        <div class=\"row\">                \n                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Gramophone                <\/div>\n                                            <div class=\"description\">\n                    <p>&#8216;For Pygmalion&#8217;s first disc on Harmonia Mundi \u2013 following a series of Bach recordings for Alpha, few in number but perfectly accomplished \u2013 Rapha\u00ebl Pichon turned to a work whose music has been lost but which can, to a large extent, be reconstructed from written sources dating from the late 1720s. The funeral music for Prince Leopold is thus mainly taken from the Trauer Ode and the St Matthew Passion.&#8217; (Jonathan Freeman-Attwood, 2014)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Forum Opera                <\/div>\n                                            <div class=\"description\">\n                    <p>&#8216;For beyond the intellectual satisfaction provided by this judicious musicological approach, the resulting musical performance deserves nothing but praise. The homogeneity of the Ensemble Pygmalion&#8217;s instrumentalists and the roundness of their timbres are perfectly highlighted here by the conductor&#8217;s ideally supple and rhythmic direction: there is no unnecessary languor here, but on the contrary a constantly recalled pulse, even in the darkest passages, thanks in particular to a discreet and effective continuo. These qualities are also found in the choir, which is of ideal size, impeccably flexible and immaculately pitched.&#8217; (Julien Marion, 2014)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    ResMusica                <\/div>\n                                            <div class=\"description\">\n                    <p>&#8216;The choir delivers a jubilant, lively, theatrical performance that emphasises the text. Rapha\u00ebl Pichon opts for a discreet continuo that allows the listener to fully appreciate the dizzying contrapuntal writing of the choral parts. The recording also benefits from magnificent sound engineering (Hugues Deschaux) and interesting commentary by Rapha\u00ebl Pichon in the booklet, particularly on his close relationship with these motets.&#8217; (Jean-Baptiste de La Taille, 2020)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Le Temps                <\/div>\n                                            <div class=\"description\">\n                    <p>The choir and musicians are united in a single momentum. The soloists are outstanding: the luminous Sabine Devieilhe, the highly eloquent Damien Guillon, Christian Immler with his noble timbre&#8230; (J.S., 14 November 2014)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                <\/div>        <\/div>\n    <\/div>\n    \n    \n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer hide-desktop\"><\/div>\n\n\n\n<div class=\"block-masonry-gallery masonry row-block-programme-block_09821186c603d7af305cbc9601047ae1 \">\n    \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"0\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_7129.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Diego Salamanca\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_7129.jpg\" alt=\"\" title=\"\u00a9 Diego Salamanca\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"100\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_7019.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Diego Salamanca\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_7019.jpg\" alt=\"\" title=\"\u00a9 Diego Salamanca\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"200\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_7139.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Diego Salamanca\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_7139.jpg\" alt=\"\" title=\"\u00a9 Diego Salamanca\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"300\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_7072.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Diego Salamanca\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_7072.jpg\" alt=\"\" title=\"\u00a9 Diego Salamanca\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"400\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_6988.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Diego Salamanca\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_6988.jpg\" alt=\"\" title=\"\u00a9 Diego Salamanca\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"500\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_6946.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Diego Salamanca\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_6946.jpg\" alt=\"\" title=\"\u00a9 Diego Salamanca\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"600\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_6762.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Diego Salamanca\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_6762.jpg\" alt=\"\" title=\"\u00a9 Diego Salamanca\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"700\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_6740.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Diego Salamanca\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_6740.jpg\" alt=\"\" title=\"\u00a9 Diego Salamanca\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"800\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_6775.jpg\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"\u00a9 Diego Salamanca\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/IMG_6775.jpg\" alt=\"\" title=\"\u00a9 Diego Salamanca\">\n                <\/a>\n            <\/div>\n\n            \n            <div class=\"brick\" data-aos=\"fade-up\" data-aos-delay=\"900\" data-aos-duration=\"1000\">\n                <a href=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/Trauermusik_.gif\" data-lightbox=\"masonry-gallery\" data-alt=\"\" data-title=\"Gimme! Gimme! Gimme!\">\n                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/Trauermusik_.gif\" alt=\"\" title=\"Gimme! Gimme! Gimme!\">\n                <\/a>\n            <\/div>\n\n            \n\n        <\/a>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading title\"><span class='first-char'>D<\/span>istributio<span class='last-char'>n<\/span><\/h2>\n\n\n        <div class=\"distribution grid\">\n        <div class=\"freetext\"><b>Soloists<\/b><\/div><div class=\"artist\"><span class=\"name\">Sabine Devieilhe<\/span>, <span class=\"role\">soprano<\/span><\/div><div class=\"artist\"><span class=\"name\">Damien Guillon<\/span>, <span class=\"role\">countertenor<\/span><\/div><div class=\"artist\"><span class=\"name\">Thomas Hobbs<\/span>, <span class=\"role\">tenor<\/span><\/div><div class=\"artist\"><span class=\"name\">Christian Immler<\/span>, <span class=\"role\">bass<\/span><\/div><br><div class=\"freetext\"><b>Choir<\/b><\/div><div class=\"artist\"><span class=\"name\">Anne-Marie Beaudette, Armelle Cardot Froeliger, Anne-Emmanuelle Davy, Violaine Le Chenadec, Lucie Van Baaren<\/span>, <span class=\"role\">sopranos<\/span><\/div><div class=\"artist\"><span class=\"name\">Jean-Cristophe Clair, C\u00e9cile Pilorger, Marie Pouchelon, Alexander Schneider<\/span>, <span class=\"role\">altos<\/span><\/div><div class=\"artist\"><span class=\"name\">Didier Chassaing, Davy Cornillot, Guillaume Gutierrez, Randol Rodriguez Rubio<\/span>, <span class=\"role\">tenors<\/span><\/div><div class=\"artist\"><span class=\"name\">Pau Bordas, Nicolas Boulanger, Geoffroy Heurard, Pierre Virly<\/span>, <span class=\"role\">bass<\/span><\/div><br><div class=\"freetext\"><b>Orchestra<\/b><\/div><div class=\"artist\"><span class=\"name\">Sophie Gent<\/span>, <span class=\"role\">concertmaster<\/span><\/div><div class=\"artist\"><span class=\"name\">Louis Cr\u00e9ac&#039;h, B\u00e9atrice Linon, Marie Rouqui\u00e9<\/span>, <span class=\"role\">violins 1<\/span><\/div><div class=\"artist\"><span class=\"name\">Gabriel Grosbard, Cyrielle Eberhardt, Satomi Watanabe, David Wish<\/span>, <span class=\"role\">violins 2<\/span><\/div><div class=\"artist\"><span class=\"name\">J\u00e9r\u00f4me Van Waerbeke, Kate Goodbehere<\/span>, <span class=\"role\">violas<\/span><\/div><div class=\"artist\"><span class=\"name\">Julien L\u00e9onard, Myriam Rignol<\/span>, <span class=\"role\">violas da gamba<\/span><\/div><div class=\"artist\"><span class=\"name\">Antoine Touche<\/span>, <span class=\"role\">cello<\/span><\/div><div class=\"artist\"><span class=\"name\">Christian Staude, Thomas de Pierrefeu (1, 7, 15)<\/span>, <span class=\"role\">double bass<\/span><\/div><div class=\"artist\"><span class=\"name\">Jasu Moisio, Lidewei de Sterck<\/span>, <span class=\"role\">oboes<\/span><\/div><div class=\"artist\"><span class=\"name\">Georga Browne, Anne Thivierge<\/span>, <span class=\"role\">flutes<\/span><\/div><div class=\"artist\"><span class=\"name\">Evol\u00e8ne Kiener<\/span>, <span class=\"role\">bassoon<\/span><\/div><div class=\"artist\"><span class=\"name\">Thomas Dunford<\/span>, <span class=\"role\">theorbo<\/span><\/div><div class=\"artist\"><span class=\"name\">Diego Salamanca<\/span>, <span class=\"role\">lute<\/span><\/div><div class=\"artist\"><span class=\"name\">Arnaud de Pasquale<\/span>, <span class=\"role\">harpsichord<\/span><\/div><div class=\"artist\"><span class=\"name\">S\u00e9bastien Dauc\u00e9<\/span>, <span class=\"role\">organ<\/span><\/div><br><div class=\"artist\"><span class=\"name\">Rapha\u00ebl Pichon<\/span>, <span class=\"role\">direction<\/span><\/div><div class=\"artist\"><span class=\"name\">Morgan Jourdain<\/span>, <span class=\"role\">restitution<\/span><\/div>    <\/div>\n    \n    \n\n\n\n\n","protected":false},"excerpt":{"rendered":"<p>K\u00f6thener Trauermusik, BWV 244a Johann Sebastian Bach When Leopold of Anhalt-C\u00f6then died in 1728, his former Kapellmeister had not forgotten the five brilliant years he had spent in the prince\u2019s service. He dedicated to his memory a mourning cantata almost entirely based on the music of two major works of the mid-1720s, the&nbsp;Trauer-Ode&nbsp;and the&nbsp;St Matthew&nbsp;Passion. <a href=\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/kothener-trauermusik\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  K\u00f6thener Trauermusik<\/span><\/a><\/p>\n","protected":false},"featured_media":1184,"template":"","class_list":["post-2820","enregistrement","type-enregistrement","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>K\u00f6thener Trauermusik - Pygmalion<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/kothener-trauermusik\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"K\u00f6thener Trauermusik - Pygmalion\" \/>\n<meta property=\"og:description\" content=\"K\u00f6thener Trauermusik, BWV 244a Johann Sebastian Bach When Leopold of Anhalt-C\u00f6then died in 1728, his former Kapellmeister had not forgotten the five brilliant years he had spent in the prince\u2019s service. He dedicated to his memory a mourning cantata almost entirely based on the music of two major works of the mid-1720s, the&nbsp;Trauer-Ode&nbsp;and the&nbsp;St Matthew&nbsp;Passion. ... 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