{"id":2816,"date":"2025-09-11T16:18:58","date_gmt":"2025-09-11T14:18:58","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/enregistrement\/stravaganza-damore-2\/"},"modified":"2026-02-11T16:08:58","modified_gmt":"2026-02-11T15:08:58","slug":"stravaganza-damore-2","status":"publish","type":"enregistrement","link":"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/stravaganza-damore-2\/","title":{"rendered":"Stravaganza d&#8217;Amore!"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:41.6%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/stravaganza.jpg.webp\" alt=\"\" class=\"wp-image-1197\" srcset=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/stravaganza.jpg.webp 600w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/stravaganza.jpg-300x300.webp 300w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/stravaganza.jpg-150x150.webp 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group hide-mobile-block\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ensemble Pygmalion &amp; Rapha\u00ebl Pichon \u2013 Stravaganza d\u2019Amore ! (Album teaser)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/I8Sx0lj0Zus?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:8.3%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Stravaganza d&#8217;Amore!<\/h2>\n\n\n\n<h5 class=\"wp-block-heading\">Antonio Brunelli, Lorenzo Allegri, Giovanni Battista, Buonamente Girolamo Fantini, Cristofano Malvezzi, Giulio Caccini, Luca Marenzio, Alessandro Striggio, Sr Marco da Gagliano, Alessandro Orologio, Jacopo Peri, Emilio de&#8217; Cavalieri<\/h5>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The sumptuous world of the \u2018Intemedi\u2019&#8230; Late sixteenth-century Florence was a theatre: first and foremost a political one, in the eyes of the dynasties that wished to use the arts to display their power. A humanist one too, as is shown by these intermedi (interludes) that sought to achieve the perfect blend between music and poetry, the ideal of a certain Renaissance. Inserted into plays imitating the ancient writers, these entertainments were presented with lavish visual and musical resources. After reaching an initial peak in 1589 with the intermedi composed for Bargagli\u2019s La pellegrina, this tradition was prolonged in the burgeoning genre of opera by such composers as Peri, Caccini (Euridice, 1600) and, very soon, Monteverdi (L\u2019Orfeo) and Gagliano (Dafne).<\/p>\n\n\n\n<p>Rather than aiming for the impossible ideal of a reconstruction, Rapha\u00ebl Pichon has devised a sort of imaginary intermedio by selecting the finest gems from this repertory, featuring the figures of Apollo, Orpheus and Eurydice, and above all Cupid: Love, Love, Love!<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-space-between is-layout-flex wp-container-core-buttons-is-layout-e3bc7287 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-violet-background-color has-background wp-element-button\" href=\"https:\/\/www.harmoniamundi.com\/albums\/stravaganza-damore\/\">BUY<\/a><\/div>\n<\/div>\n\n\n\n<p><br>harmonia mundi<\/p>\n\n\n\n<p>1 houe 42 \u2014 2 CD \u2014 19 May 2017<\/p>\n\n\n\n\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Awards<\/h3>\n\n\n\n    <!-- revue de presse -->\n        <div class=\"block-recompenses\">\n        <div class=\"recompenses\">\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/stickerdiamant1-copie-150x150.png\" alt=\"\">\n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/Sticker-4Cles-05-Print-2-150x150.jpg\" alt=\"\">\n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/classica_logochoc.jpg-150x150.webp\" alt=\"\">\n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/Diapason-dor-150x150.jpg\" alt=\"\">\n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                \n                                        <\/div>\n                <\/div>\n    <\/div>\n    \n    \n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group hide-desktop-block\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ensemble Pygmalion &amp; Rapha\u00ebl Pichon \u2013 Stravaganza d\u2019Amore ! (Album teaser)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/I8Sx0lj0Zus?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<iframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/fr\/album\/stravaganza-damore-the-birth-of-opera-at-the-medici-court\/1231092966\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n    <!-- revue de presse -->\n        <div class=\"block-programme-press\">\n        <h2><span class='first-char'>L<\/span>a presse en parl<span class='last-char'>e<\/span><\/h2>\n\n        <div class=\"press-releases\">\n        <div class=\"row\">                \n                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Choc de Classica                <\/div>\n                                            <div class=\"description\">\n                    <p>\u2018A dazzling celebration of sounds and senses. A return to origins that is as beautiful as it is informative, thanks to remarkable editorial work punctuated with superb illustrations.\u2019 (J\u00e9r\u00e9mie Bigorie, 2017)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Diapason d'Or                <\/div>\n                                            <div class=\"description\">\n                    <p>\u2018Deploying an extraordinary arsenal of weapons of seduction, Rapha\u00ebl Pichon delivers a unique and fascinating work, rich in emotion&#8230; and sometimes paradoxical.\u2019 (Denis Morier, July 2017)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Le Figaro                <\/div>\n                                            <div class=\"description\">\n                    <p>\u2018An enchanting and fascinating return to the origins of opera, accompanied by richly illustrated and documented texts.\u2019 (Thierry Hill\u00e9riteau, 2017)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    L'\u00e9ducation musicale                <\/div>\n                                            <div class=\"description\">\n                    <p>&#8216;The performance deserves nothing but praise, as Rapha\u00ebl Pichon knows how to bring these pieces to life with his lively conducting: elasticity of beat, favouring a very broad and contrasting dynamic, innate sense of structure. He can count on the commitment of his Ensemble Pygmalion, a group already well versed in this kind of exercise: the colours of the historical instruments, the beauty of the phrasing, the flexibility of the articulation, in a word, the extreme plasticity of the discourse.&#8217; (Jean-Pierre Robert, 2017)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Forum Opera                <\/div>\n                                            <div class=\"description\">\n                    <p>\u2018Admirably served by Hugues Deschaux and Olivier Rosset&#8217;s sound recording, Pygmalion&#8217;s performance equals, if not surpasses, that of Collegium Vocale Gent and the Capriccio Stravagante Renaissance Orchestra led by Skip Semp\u00e9.\u2019 (Bernard Schreuders, 6 June 2017)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Opera Magazine                 <\/div>\n                                            <div class=\"description\">\n                    <p>&#8216;Pygmalion is exemplary in its staging and the homogeneity of the choir, as well as the flamboyance of the instrumental colours. How can one not be moved by the lamentations of Apollo or Orfeo (from Caccini&#8217;s Euridice, in which Renato Dolcini distils every sigh with profound emotion)? This journey into the past and to the origins of opera is too short.&#8217; (Michel Parouty, 2017)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                                    <\/div>\n            <\/div>                <\/div>        <\/div>\n    <\/div>\n    \n    \n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ensemble Pygmalion &amp; Rapha\u00ebl Pichon \u2013 Stravaganza d\u2019Amore ! (Album presentation)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/wdMLGKpX4-w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer hide-desktop\"><\/div>\n\n\n\n<div class=\"block-masonry-gallery masonry row-block-programme-block_9464b78883c10cd892031422894a273b \">\n        <\/a>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading title\"><span class='first-char'>D<\/span>istributio<span class='last-char'>n<\/span><\/h2>\n\n\n        <div class=\"distribution grid\">\n        <div class=\"freetext\"><b>Soloists<\/b><\/div><div class=\"artist\"><span class=\"name\">Renato Dolcini<\/span>, <span class=\"role\">Apollo, Orfeo<\/span><\/div><div class=\"artist\"><span class=\"name\">Lucia Mancini<\/span>, <span class=\"role\">Ninfa, Dafne<\/span><\/div><div class=\"artist\"><span class=\"name\">Sophie Junker, Ma\u00eflys de Villoutreys<\/span>, <span class=\"role\">Ninfe<\/span><\/div><div class=\"artist\"><span class=\"name\">Zachary Wilder<\/span>, <span class=\"role\">Pastor<\/span><\/div><div class=\"artist\"><span class=\"name\">Lucile Richardot<\/span>, <span class=\"role\">Corifea, Ninfa<\/span><\/div><div class=\"artist\"><span class=\"name\">Virgile Ancely<\/span>, <span class=\"role\">Plutone<\/span><\/div><div class=\"artist\"><span class=\"name\">Deborah Cachet, Davy Cornillot, Safir Behloul, Renaud Bres, Nicolas Brooymans<\/span>, <span class=\"role\">Ninfe, Pastore del coro<\/span><\/div><br><div class=\"freetext\"><b>Choir<\/b><\/div><div class=\"artist\"><span class=\"name\">Ad\u00e8le Carlier, Armelle Cardot Froeliger, Anne-Emmanuelle Davy, Perrine Devillers, Alice Foccroule, Maud Gnidzaz, Marie Paninsek<\/span>, <span class=\"role\">sopranos<\/span><\/div><div class=\"artist\"><span class=\"name\">Philippe Barth, Stephen Collardelle, Coline Dutilleul, Yann Rolland<\/span>, <span class=\"role\">altos<\/span><\/div><div class=\"artist\"><span class=\"name\">Safir Belhoul, Davy Cornillot, Olivier Coiffet, Constantin Goubet, Guillaume Gutierrez, Randol Rodriguez<\/span>, <span class=\"role\">tenors<\/span><\/div><div class=\"artist\"><span class=\"name\">Renaud Bres, Nicolas Brooymans, Geoffroiy Heurard, Matthias Lutze, Guillaume  Olry, Igor Ballereau, Geoffroy Buffi\u00e8re<\/span>, <span class=\"role\">basses<\/span><\/div><br><div class=\"freetext\"><b>Orchestra<\/b><\/div><div class=\"artist\"><span class=\"name\">Jer\u00f4me van Waerbeke, Louis Creac&#039;h<\/span>, <span class=\"role\">violins 1<\/span><\/div><div class=\"artist\"><span class=\"name\">Nicholas Milne, Mathilde Vialle, Lucile Boulanger, Julien L\u00e9onard, Myriam Rignol<\/span>, <span class=\"role\">violas da gamba<\/span><\/div><div class=\"artist\"><span class=\"name\">Antoine Touche<\/span>, <span class=\"role\">cello<\/span><\/div><div class=\"artist\"><span class=\"name\">Josh Cheatman<\/span>, <span class=\"role\">violone<\/span><\/div><div class=\"artist\"><span class=\"name\">Emmanuel Mure, Lambert Colson, Sarah Dubus<\/span>, <span class=\"role\">cornets<\/span><\/div><div class=\"artist\"><span class=\"name\">St\u00e9phane Muller, Olivier Dubois, Cyril Bernhard, Franck Poitrineau, Stefan L\u00e9g\u00e9e<\/span>, <span class=\"role\">sackbuts<\/span><\/div><div class=\"artist\"><span class=\"name\">Julien Martin<\/span>, <span class=\"role\">recorders<\/span><\/div><div class=\"artist\"><span class=\"name\">Evol\u00e8ne Kiener<\/span>, <span class=\"role\">bassoon<\/span><\/div><div class=\"artist\"><span class=\"name\">Marie-Domitille Murez<\/span>, <span class=\"role\">harp<\/span><\/div><div class=\"artist\"><span class=\"name\">Diego Salamanca<\/span>, <span class=\"role\">theorbo<\/span><\/div><div class=\"artist\"><span class=\"name\">Thibaut Roussel<\/span>, <span class=\"role\">theorbo, tiorbino, baroque guitar<\/span><\/div><div class=\"artist\"><span class=\"name\">Miguel Henry<\/span>, <span class=\"role\">chitarrino, cerrone, lute<\/span><\/div><div class=\"artist\"><span class=\"name\">Arnaud de Pasquale, Pierre Gallon<\/span>, <span class=\"role\">harpsichords<\/span><\/div><div class=\"artist\"><span class=\"name\">Cl\u00e9ment Geoffroy<\/span>, <span class=\"role\">organ and harpsichord<\/span><\/div><div class=\"artist\"><span class=\"name\">Sylvain Fabre<\/span>, <span class=\"role\">percussions<\/span><\/div><br><div class=\"freetext\">harpsichords and organ:<\/div><div class=\"freetext\">italian harpsichord Alain Anselm, 2 sets of 8 feet \/ 50 notes from C to C, made in 1984.<\/div><div class=\"freetext\">Italian harpsichord by Philippe Humeau, based on an anonymous 18th-century instrument, made in Barbaste in 1977.<\/div><div class=\"freetext\">Italian harpsichord Philippe Humeau, 1 set of 8 feet and 1 set of 4 feet, based on an anonymous instrument from the late 16th century, made in Barbaste in 2005.<\/div><div class=\"freetext\">Quentin Blumenroeder organ made in 2016.<\/div>    <\/div>\n    \n    \n","protected":false},"excerpt":{"rendered":"<p>Stravaganza d&#8217;Amore! Antonio Brunelli, Lorenzo Allegri, Giovanni Battista, Buonamente Girolamo Fantini, Cristofano Malvezzi, Giulio Caccini, Luca Marenzio, Alessandro Striggio, Sr Marco da Gagliano, Alessandro Orologio, Jacopo Peri, Emilio de&#8217; Cavalieri The sumptuous world of the \u2018Intemedi\u2019&#8230; Late sixteenth-century Florence was a theatre: first and foremost a political one, in the eyes of the dynasties that <a href=\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/stravaganza-damore-2\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  Stravaganza d&#8217;Amore!<\/span><\/a><\/p>\n","protected":false},"featured_media":1198,"template":"","class_list":["post-2816","enregistrement","type-enregistrement","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Stravaganza d&#039;Amore! - Pygmalion<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/stravaganza-damore-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Stravaganza d&#039;Amore! - Pygmalion\" \/>\n<meta property=\"og:description\" content=\"Stravaganza d&#8217;Amore! Antonio Brunelli, Lorenzo Allegri, Giovanni Battista, Buonamente Girolamo Fantini, Cristofano Malvezzi, Giulio Caccini, Luca Marenzio, Alessandro Striggio, Sr Marco da Gagliano, Alessandro Orologio, Jacopo Peri, Emilio de&#8217; Cavalieri The sumptuous world of the \u2018Intemedi\u2019&#8230; Late sixteenth-century Florence was a theatre: first and foremost a political one, in the eyes of the dynasties that ... 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