{"id":2815,"date":"2025-09-11T16:32:10","date_gmt":"2025-09-11T14:32:10","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/enregistrement\/enfers\/"},"modified":"2026-02-03T13:01:39","modified_gmt":"2026-02-03T12:01:39","slug":"enfers","status":"publish","type":"enregistrement","link":"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/enfers\/","title":{"rendered":"Enfers"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:41.6%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1500\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/902288-12x12-3.jpg\" alt=\"\" class=\"wp-image-2736\" srcset=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/902288-12x12-3.jpg 1500w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/902288-12x12-3-300x300.jpg 300w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/902288-12x12-3-1024x1024.jpg 1024w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/902288-12x12-3-150x150.jpg 150w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group hide-mobile-block\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Orph\u00e9e et Eurydice, Wq. 30, Act II, Scene 1: Sinfonie infernale. Air de furie\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/IdMOpGx6nPg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:8.3%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Enfers<\/h2>\n\n\n\n<h5 class=\"wp-block-heading\">Jean-Philippe Rameau, Jean-F\u00e9ry Rebel, Christoph Willibald Gluck<\/h5>\n\n\n\n<p><br>Rapha\u00ebl Pichon has invited St\u00e9phane Degout to make his recording debut for harmonia mundi in a multifaceted exploration of the Underworld. The French baritone reincarnates the figure of Henri Larriv\u00e9e, the famous tragedian of Rameau and Gluck. Around a reconstruction of an imaginary Mass of the Dead, sacred and secular merge, revealing some of the most extraordinary pieces from the operatic repertory of the Enlightenment. Music of death and mourning on an epic scale that inspires Pygmalion to overwhelming heights of pathos.<br><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-space-between is-layout-flex wp-container-core-buttons-is-layout-e3bc7287 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-violet-background-color has-background wp-element-button\" href=\"https:\/\/www.harmoniamundi.com\/albums\/e-n-f-e-r-s-scenes-doperas-de-rameau-et-gluck\/\">BUY<\/a><\/div>\n<\/div>\n\n\n\n<p><br>harmonia mundi, 23 February 2018.<br>1 hour 18 minutes \u2014 1 CD.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">awards<\/h3>\n\n\n\n    <!-- revue de presse -->\n        <div class=\"block-recompenses\">\n        <div class=\"recompenses\">\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/awards-90.jpg.webp\" alt=\"\">\n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/stickerdiamant1-copie-150x150.png\" alt=\"\">\n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/Sticker-4Cles-05-Print-2-150x150.jpg\" alt=\"\">\n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/top_mezzo-150x150.webp\" alt=\"\">\n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                \n                                        <\/div>\n                <\/div>\n    <\/div>\n    \n    \n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group hide-desktop-block\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Orph\u00e9e et Eurydice, Wq. 30, Act II, Scene 1: Sinfonie infernale. Air de furie\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/IdMOpGx6nPg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<iframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/fr\/album\/enfers\/1344854126\"><\/iframe>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Hippolyte et Aricie, RCT 43, Act II, Scene 5: Vous, qui de l&#039;avenir percez la nuit profonde...\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/GAe8nbZddzo?list=OLAK5uy_m7z0jFYnEG4Af82kaILTuWmiAdjkzI9YY\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n    <!-- revue de presse -->\n        <div class=\"block-programme-press\">\n        <h2><span class='first-char'>L<\/span>a presse en parl<span class='last-char'>e<\/span><\/h2>\n\n        <div class=\"press-releases\">\n        <div class=\"row\">                \n                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    T\u00e9l\u00e9rama                <\/div>\n                                            <div class=\"description\">\n                    <p>\u2018Between the profane and the sacred, light and darkness, a kind of requiem that tastes like paradise.\u2019 (Sophie Bourdais, 2018)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Op\u00e9ra Magazine                <\/div>\n                                            <div class=\"description\">\n                    <p>&#8216;Pichon and his companions imbue each aria with contrasts and colours, each phrase with tension, anxiety and terror from the beginning to the final appeasement. (&#8230;) Dark, dramatic passages, magnified by a theatrical vision that grips the listener and never lets go (the choir is a model of finesse and homogeneity). Is there any need to extol the qualities of St\u00e9phane Degout? The beauty of his voice, the sumptuous metal of his timbre, the suppleness of his elocution, the clarity of his diction, the nobility of his declamation, the musicality that illuminates every word.&#8217; (Michel Parouty, 2018)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Lib\u00e9ration                <\/div>\n                                            <div class=\"description\">\n                    <p>&#8220;A new, highly technical concept album, as only Rapha\u00ebl Pichon knows how to concoct, (&#8230;) a new work in the form of a pagan requiem that combines the sacred with the real, religious music with secular opera. This descent into Hell is also the fruit of a long period of collaboration between St\u00e9phane Degout and the conductor. The artistic duo has achieved a remarkable fusion here.&#8221; (Guillaume Tion, 2018)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                <\/div>        <\/div>\n    <\/div>\n    \n    \n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer hide-desktop\"><\/div>\n\n\n\n<div class=\"block-masonry-gallery masonry row-block-programme-block_a2c1d8ebc0bbd315bb1643176e97b116 \">\n        <\/a>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading title\"><span class='first-char'>D<\/span>istributio<span class='last-char'>n<\/span><\/h2>\n\n\n        <div class=\"distribution grid\">\n        <div class=\"freetext\"><b>Soloists<\/b><\/div><br><div class=\"artist\"><span class=\"name\">St\u00e9phane Degout<\/span>, <span class=\"role\">baritone<\/span><\/div><br><div class=\"artist\"><span class=\"name\">Emmanuelle de Negri<\/span>, <span class=\"role\">soprano<\/span><\/div><div class=\"artist\"><span class=\"name\">Stanislas de Barbeyrac<\/span>, <span class=\"role\">tenor<\/span><\/div><div class=\"artist\"><span class=\"name\">Reinoud Van Mechelen<\/span>, <span class=\"role\">bass<\/span><\/div><div class=\"artist\"><span class=\"name\">Sylvie Brunet-Grupposo<\/span>, <span class=\"role\">mezzo-soprano<\/span><\/div><div class=\"artist\"><span class=\"name\">Nicolas Courjal <\/span>, <span class=\"role\">bass<\/span><\/div><div class=\"artist\"><span class=\"name\">Thomas Doli\u00e9<\/span>, <span class=\"role\">bass<\/span><\/div><div class=\"artist\"><span class=\"name\">Mathias Vidal<\/span>, <span class=\"role\">tenor<\/span><\/div><br><div class=\"freetext\"><b>Choir<\/b><\/div><div class=\"artist\"><span class=\"name\">Caroline Arnaud, Ulrike Barth, Ad\u00e8le Carlier, Alice Foccroulle, Armelle Froeliger, Nadia Lavoyer, Marie Planinsek, Virginie Thomas<\/span>, <span class=\"role\">sopranos<\/span><\/div><div class=\"artist\"><span class=\"name\">Patrick Boileau, Stephen Collardelle, Constantin Goubet, Guillaume Guti\u00e9rrez<\/span>, <span class=\"role\">tenors<\/span><\/div><div class=\"artist\"><span class=\"name\">Didier Chassaing, Vincent Laloy, Olivier Rault, Randol Rodriguez<\/span>, <span class=\"role\">tenors<\/span><\/div><div class=\"artist\"><span class=\"name\">Virgile Ancely, Renaud Br\u00e8s, Jean-Michel Durang, Geoffroy Heurard, Guillaume Olry<\/span>, <span class=\"role\">basses<\/span><\/div><br><div class=\"freetext\"><b>Orchestra<\/b><\/div><div class=\"artist\"><span class=\"name\">Louis Chreac&#039;h, Sandrine Dup\u00e9, Yoko Kawakubo, Yuki Koike, Satomi Watanabe<\/span>, <span class=\"role\">violins 1<\/span><\/div><div class=\"artist\"><span class=\"name\">Varoujan Doneyan, Cyrielle Eberhardt, Gabriel Ferry, Katherine Goodbehere, Fiona-Emilie Poupard<\/span>, <span class=\"role\">violins 2<\/span><\/div><div class=\"artist\"><span class=\"name\">J\u00e9rome van Waerbeke, Jos\u00e8phe Cottet, Marta Paramo, Pierre Vallet<\/span>, <span class=\"role\">violas<\/span><\/div><div class=\"artist\"><span class=\"name\">Antoine Touche*, Julien Barre*, Gulrim Choi, Cyril Poulet*<\/span>, <span class=\"role\">cellos<\/span><\/div><div class=\"artist\"><span class=\"name\">Myriam Rignol<\/span>, <span class=\"role\">viola da gamba<\/span><\/div><div class=\"artist\"><span class=\"name\">Thomas de Pierrefeu*, Christian Staude<\/span>, <span class=\"role\">double basses<\/span><\/div><div class=\"artist\"><span class=\"name\">Emmanuel Mure, Philippe Genestier<\/span>, <span class=\"role\">trumpets<\/span><\/div><div class=\"artist\"><span class=\"name\">Evol\u00e8ne Kiener, Inga Klaucke, Josep Casadella, Emmanuel Vigneron<\/span>, <span class=\"role\">bassoons<\/span><\/div><div class=\"artist\"><span class=\"name\">Jasu Moisio, Lidewei de Sterck<\/span>, <span class=\"role\">oboes<\/span><\/div><div class=\"artist\"><span class=\"name\">Georgia Browne, Anne Thivierge<\/span>, <span class=\"role\">flutes<\/span><\/div><div class=\"artist\"><span class=\"name\">Pierre-Antoine Tremblay, Ricardo Rodriguez<\/span>, <span class=\"role\">french horns<\/span><\/div><div class=\"artist\"><span class=\"name\">Cl\u00e9ment Carpentier, Stefan Leg\u00e9e, Franck Poitrineau<\/span>, <span class=\"role\">sackbuts<\/span><\/div><div class=\"artist\"><span class=\"name\">Sylvain Fabre<\/span>, <span class=\"role\">timpani and percussions<\/span><\/div><div class=\"artist\"><span class=\"name\">Arnaud de Pasquale*<\/span>, <span class=\"role\">harpsichord<\/span><\/div><div class=\"artist\"><span class=\"name\">Pierre Gallon*<\/span>, <span class=\"role\">harpsichord and organ<\/span><\/div><br><div class=\"artist\"><span class=\"name\">Rapha\u00ebl Pichon<\/span>, <span class=\"role\">direction<\/span><\/div><br><div class=\"freetext\">*Continuo<\/div>    <\/div>\n    \n    \n","protected":false},"excerpt":{"rendered":"<p>Enfers Jean-Philippe Rameau, Jean-F\u00e9ry Rebel, Christoph Willibald Gluck Rapha\u00ebl Pichon has invited St\u00e9phane Degout to make his recording debut for harmonia mundi in a multifaceted exploration of the Underworld. The French baritone reincarnates the figure of Henri Larriv\u00e9e, the famous tragedian of Rameau and Gluck. Around a reconstruction of an imaginary Mass of the Dead, <a href=\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/enfers\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  Enfers<\/span><\/a><\/p>\n","protected":false},"featured_media":2737,"template":"","class_list":["post-2815","enregistrement","type-enregistrement","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Enfers - Pygmalion<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/enfers\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Enfers - Pygmalion\" \/>\n<meta property=\"og:description\" content=\"Enfers Jean-Philippe Rameau, Jean-F\u00e9ry Rebel, Christoph Willibald Gluck Rapha\u00ebl Pichon has invited St\u00e9phane Degout to make his recording debut for harmonia mundi in a multifaceted exploration of the Underworld. The French baritone reincarnates the figure of Henri Larriv\u00e9e, the famous tragedian of Rameau and Gluck. Around a reconstruction of an imaginary Mass of the Dead, ... 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