{"id":2814,"date":"2025-09-11T16:56:39","date_gmt":"2025-09-11T14:56:39","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/enregistrement\/mozart-%c2%b7-liberta\/"},"modified":"2026-02-03T12:59:34","modified_gmt":"2026-02-03T11:59:34","slug":"mozart-%c2%b7-liberta","status":"publish","type":"enregistrement","link":"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/mozart-%c2%b7-liberta\/","title":{"rendered":"Mozart \u00b7 Libert\u00e0!"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:41.6%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2024\/09\/liberta.jpg.webp\" alt=\"\" class=\"wp-image-1208\" srcset=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2024\/09\/liberta.jpg.webp 400w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2024\/09\/liberta.jpg-300x300.webp 300w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2024\/09\/liberta.jpg-150x150.webp 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group hide-mobile-block\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mozart, Libert\u00e0! | Pygmalion, Rapha\u00ebl Pichon\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/GRfkS5rDbno?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:8.3%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Libert\u00e0!<\/h2>\n\n\n\n<h5 class=\"wp-block-heading\">Wolfgang Amadeus Mozart, Giovanni Paisiello, Vicente Mart\u00edn y Soler, Antonio Salieri<\/h5>\n\n\n\n<p><br><em>Mozart and opera before Da Ponte. <\/em><\/p>\n\n\n\n<p>Between&nbsp;<em>Die Entf\u00fchrung aus dem Serail<\/em>&nbsp;and the advent of the famous \u2018Da Ponte trilogy\u2019, Mozart threw himself frantically into the search for the&nbsp;<em>right<\/em>&nbsp;libretto, capable of taking the spectator to lands still unexplored where the drama and the psychology of the characters would be sublimated by the music. Hence, in the years between 1782 and 1786, he set up a veritable laboratory for dramatic music: a musical corpus of concert arias, sketches, and stylistic exercises like the canon \u2013 here brilliantly organised as an imaginary&nbsp;<em>dramma giocoso<\/em>&nbsp;in three scenes, each heralding in its own way one of the summits to come:&nbsp;<em>Figaro<\/em>,&nbsp;<em>Don Giovanni<\/em>,&nbsp;<em>Cos\u00ec<\/em>.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-space-between is-layout-flex wp-container-core-buttons-is-layout-e3bc7287 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-violet-background-color has-background wp-element-button\" href=\"https:\/\/www.harmoniamundi.com\/albums\/dramma-giocoso-imaginaire-en-trois-scenes\/\">BUY<\/a><\/div>\n<\/div>\n\n\n\n<p><br>harmonia mundi<\/p>\n\n\n\n<p>1 hour 44 minutes \u2014 2 CD \u2014 November 2019<\/p>\n\n\n\n\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Awards<\/h3>\n\n\n\n    <!-- revue de presse -->\n        <div class=\"block-recompenses\">\n        <div class=\"recompenses\">\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/top_mezzo-150x150.webp\" alt=\"\">\n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/classica_logochoc.jpg-150x150.webp\" alt=\"\">\n                                \n                                        <\/div>\n                <\/div>\n    <\/div>\n    \n    \n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group hide-desktop-block\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mozart, Libert\u00e0! | Pygmalion, Rapha\u00ebl Pichon\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/GRfkS5rDbno?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<iframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/fr\/album\/libert%C3%A0-mozart-the-opera\/1472842537\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n    <!-- revue de presse -->\n        <div class=\"block-programme-press\">\n        <h2><span class='first-char'>L<\/span>a presse en parl<span class='last-char'>e<\/span><\/h2>\n\n        <div class=\"press-releases\">\n        <div class=\"row\">                \n                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Der Neue Merker                <\/div>\n                                            <div class=\"description\">\n                    <p style=\"text-align: left;\">&#8216;This period represents a perfect musical and dramatic laboratory in artistic fields still unknown to Mozart. The composer, with his very precise ideas of an ideal theatrical microcosm, pored over more than a hundred librettos in search of a suitable subject. The artistic honesty and musical quality of the two CDs are astounding. You will also delight in the fresh, noble voices of the young singers, which promise a bright future for Mozartian singing.&#8217; (Ingobert Waltenberger, 2019)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Diapason                <\/div>\n                                            <div class=\"description\">\n                    <p>&#8216;This little world comes together in ensembles where theatrical life regains its rightful place, thanks to Pichon&#8217;s lively direction and the relentless agility of the repartee. The spirit of comedy and drama also blows through the Ouvertures, where Pygmalion&#8217;s generous talent and diverse palette shine through.&#8217; (Emmanuel Dupuy, 2019)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    The Guardian                <\/div>\n                                            <div class=\"description\">\n                    <p>\u2018French soprano Sabine Devieilhe excels in concert arias, and while the logic of the ensemble may not be purist, it is thoroughly ingenious and brilliantly executed.\u2019 (Nicholas Kenyon, 2019)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                <\/div>        <\/div>\n    <\/div>\n    \n    \n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lo sposo deluso, K. 430: Ouverture\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/dClwjNvjk0I?list=PLdw8sS7oEJJ1uZQHoGnzY1V-p8i6hc0ad\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer hide-desktop\"><\/div>\n\n\n\n<div class=\"block-masonry-gallery masonry row-block-programme-block_fbbb9e0ea1b225db1c564a94ae5cacb6 \">\n        <\/a>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading title\"><span class='first-char'>D<\/span>istributio<span class='last-char'>n<\/span><\/h2>\n\n\n        <div class=\"distribution grid\">\n        <br><div class=\"freetext\"><b>Soloists<\/b><\/div><div class=\"artist\"><span class=\"name\">Sabine Devieilhe<\/span>, <span class=\"role\">soprano<\/span><\/div><div class=\"artist\"><span class=\"name\">Siobhan Stagg<\/span>, <span class=\"role\">soprano<\/span><\/div><div class=\"artist\"><span class=\"name\">Serena Malfi<\/span>, <span class=\"role\">mezzo-soprano<\/span><\/div><div class=\"artist\"><span class=\"name\">Linard Vrielink<\/span>, <span class=\"role\">tenor<\/span><\/div><div class=\"artist\"><span class=\"name\">John Chest<\/span>, <span class=\"role\">baritone<\/span><\/div><div class=\"artist\"><span class=\"name\">Nahuel di Pierro<\/span>, <span class=\"role\">bass<\/span><\/div><br><div class=\"freetext\"><b>Choir<\/b><\/div><div class=\"artist\"><span class=\"name\">Caroline Arnaud, Ulrike Barth, Ad\u00e8le Carlier, C\u00e9cile Dalmon, Anne-Emmanuelle Davy,  Ellen Giacone, Maud Gnidzaz, Virginie Thomas<\/span>, <span class=\"role\">sopranos<\/span><\/div><div class=\"artist\"><span class=\"name\">Ana\u00efs Bertrand, Anne-Lou Bissi\u00e8res, Floriane Hasler, Pauline Leroy, Marie Pouchelon<\/span>, <span class=\"role\">altos<\/span><\/div><div class=\"artist\"><span class=\"name\">Camillo Angarita, Patrick Boileau, Tarik Bousselma, Martin Candela, Martial Pauliat<\/span>, <span class=\"role\">tenors<\/span><\/div><div class=\"artist\"><span class=\"name\">Mathieu Dubroca, Julien Guilloton, Guillaume Olry, Pierre Virly, Emmanuel Vistorky<\/span>, <span class=\"role\">basses<\/span><\/div><br><div class=\"freetext\"><b>Orchestra<\/b><\/div><div class=\"artist\"><span class=\"name\">Cecilia Bernardini*<\/span>, <span class=\"role\">concertmaster<\/span><\/div><div class=\"artist\"><span class=\"name\">Julie Friez, Izleh Henry, Joanna Huszcza, Diana Lee, Rapha\u00eblle Pacault<\/span>, <span class=\"role\">violins 1<\/span><\/div><div class=\"artist\"><span class=\"name\">Louis Creac\u2019h*, Paul-Marie Beauny, Alix Boivert, Cyrielle Eberhardt, Gabriel Ferry, Coline Ormond<\/span>, <span class=\"role\">violins 2<\/span><\/div><div class=\"artist\"><span class=\"name\">J\u00e9r\u00f4me Van Waerbeke*, Marta Paramo, Elisabeth Sordia, Pierre Vallet<\/span>, <span class=\"role\">violas<\/span><\/div><div class=\"artist\"><span class=\"name\">Julien Barre*, Arnold Bretagne, Mathurin Matharel, Cyril Poulet<\/span>, <span class=\"role\">cellos <\/span><\/div><div class=\"artist\"><span class=\"name\">Yann Dubost*, Ludek Brany, Christian Staude<\/span>, <span class=\"role\">double basses<\/span><\/div><div class=\"artist\"><span class=\"name\">Georgia Browne, Morgane Eouzan<\/span>, <span class=\"role\">flutes<\/span><\/div><div class=\"artist\"><span class=\"name\">Jasu Moisio, Lidewei de Sterck<\/span>, <span class=\"role\">oboes<\/span><\/div><div class=\"artist\"><span class=\"name\">Nicola Boud, Ana Melo<\/span>, <span class=\"role\">clarinets<\/span><\/div><div class=\"artist\"><span class=\"name\">Evol\u00e8ne Kiener, Alexandre Salles<\/span>, <span class=\"role\">bassoons<\/span><\/div><div class=\"artist\"><span class=\"name\">Fiona Mitchell<\/span>, <span class=\"role\">basset horn<\/span><\/div><div class=\"artist\"><span class=\"name\">Alessandro Denabian, Dimer Maccaferri<\/span>, <span class=\"role\">french horns<\/span><\/div><div class=\"artist\"><span class=\"name\">Emmanuel Mure, Philippe Genestier<\/span>, <span class=\"role\">trumpets<\/span><\/div><div class=\"artist\"><span class=\"name\">Stefan Leg\u00e9e (alto), Arnaud Bret\u00e9cher (t\u00e9nor), Franck Poitrineau (basse)<\/span>, <span class=\"role\">trombones<\/span><\/div><div class=\"artist\"><span class=\"name\">Antoine Sigur\u00e9, Camille Basl\u00e9<\/span>, <span class=\"role\">timpani<\/span><\/div><div class=\"artist\"><span class=\"name\">Anna Schivazappa<\/span>, <span class=\"role\">mandolin<\/span><\/div><div class=\"artist\"><span class=\"name\">Arnaud de Pasquale<\/span>, <span class=\"role\">fortepiano**<\/span><\/div><br><div class=\"artist\"><span class=\"name\">Tanguy de Williencourt<\/span>, <span class=\"role\">choirmaster<\/span><\/div><div class=\"artist\"><span class=\"name\">Rita de Letteriis<\/span>, <span class=\"role\">language consultant<\/span><\/div><br><div class=\"artist\"><span class=\"name\">Rapha\u00ebl Pichon<\/span>, <span class=\"role\">direction<\/span><\/div><br><div class=\"freetext\">*Soloist in No. 23<\/div><div class=\"freetext\">**Fortepiano from the Abbaye-aux-Dames in Saintes (Christophe Clarke, 1986, based on Anton Walter, Vienna, 1790\u20131795, Germanisches Nationalmuseum Nuremberg)<\/div>    <\/div>\n    \n    \n","protected":false},"excerpt":{"rendered":"<p>Libert\u00e0! Wolfgang Amadeus Mozart, Giovanni Paisiello, Vicente Mart\u00edn y Soler, Antonio Salieri Mozart and opera before Da Ponte. Between&nbsp;Die Entf\u00fchrung aus dem Serail&nbsp;and the advent of the famous \u2018Da Ponte trilogy\u2019, Mozart threw himself frantically into the search for the&nbsp;right&nbsp;libretto, capable of taking the spectator to lands still unexplored where the drama and the psychology <a href=\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/mozart-%c2%b7-liberta\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  Mozart \u00b7 Libert\u00e0!<\/span><\/a><\/p>\n","protected":false},"featured_media":2776,"template":"","class_list":["post-2814","enregistrement","type-enregistrement","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Mozart \u00b7 Libert\u00e0! - Pygmalion<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/mozart-\u00b7-liberta\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mozart \u00b7 Libert\u00e0! - Pygmalion\" \/>\n<meta property=\"og:description\" content=\"Libert\u00e0! Wolfgang Amadeus Mozart, Giovanni Paisiello, Vicente Mart\u00edn y Soler, Antonio Salieri Mozart and opera before Da Ponte. Between&nbsp;Die Entf\u00fchrung aus dem Serail&nbsp;and the advent of the famous \u2018Da Ponte trilogy\u2019, Mozart threw himself frantically into the search for the&nbsp;right&nbsp;libretto, capable of taking the spectator to lands still unexplored where the drama and the psychology ... 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Wolfgang Amadeus Mozart, Giovanni Paisiello, Vicente Mart\u00edn y Soler, Antonio Salieri Mozart and opera before Da Ponte. Between&nbsp;Die Entf\u00fchrung aus dem Serail&nbsp;and the advent of the famous \u2018Da Ponte trilogy\u2019, Mozart threw himself frantically into the search for the&nbsp;right&nbsp;libretto, capable of taking the spectator to lands still unexplored where the drama and the psychology ... 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