{"id":2813,"date":"2025-09-11T17:08:04","date_gmt":"2025-09-11T15:08:04","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/enregistrement\/bach-%c2%b7-motets\/"},"modified":"2026-02-03T12:58:15","modified_gmt":"2026-02-03T11:58:15","slug":"bach-%c2%b7-motets","status":"publish","type":"enregistrement","link":"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/bach-%c2%b7-motets\/","title":{"rendered":"Bach \u00b7 Motets"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:41.6%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1200\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/2020_couv-motets-1.jpg\" alt=\"\" class=\"wp-image-2770\" srcset=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/2020_couv-motets-1.jpg 1200w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/2020_couv-motets-1-300x300.jpg 300w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/2020_couv-motets-1-1024x1024.jpg 1024w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/2020_couv-motets-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group hide-mobile-block\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"J.S. Bach, Motets | Pygmalion, Rapha\u00ebl Pichon (teaser)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/i5TJDU4T_xQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:8.3%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Motets<\/h2>\n\n\n\n<h5 class=\"wp-block-heading\">Johann Sebastian Bach, Vincenzo Bertolusi, Jacobus Gallus, Giovanni Gabrieli<\/h5>\n\n\n\n<p><br>The absolute summit of polyphonic art, Bach\u2019s motets exult with a joy that may be found surprising when one knows their most frequent liturgical use: at funeral ceremonies. Taking up the invitation of the Motet BWV 225, Rapha\u00ebl Pichon and his musicians draw us into their jubilant interpretation, a true hymn to the dance skilfully juxtaposed with the great tradition of the German motet. The collective work undertaken by Pygmalion on both the stylistic and the textual aspects does full justice to this choral exuberance.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-space-between is-layout-flex wp-container-core-buttons-is-layout-e3bc7287 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-violet-background-color has-background wp-element-button\" href=\"https:\/\/www.harmoniamundi.com\/albums\/motets-avec-bertolusi-gabrieli-gallus\/\">BUY<\/a><\/div>\n<\/div>\n\n\n\n<p><br>harmonia mundi<\/p>\n\n\n\n<p>1 hour 18 minutes \u2014 1 CD \u2014 September 2020<\/p>\n\n\n\n\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Awards<\/h3>\n\n\n\n    <!-- revue de presse -->\n        <div class=\"block-recompenses\">\n        <div class=\"recompenses\">\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/telechargement-150x150.png\" alt=\"\">\n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/07\/top_mezzo-150x150.webp\" alt=\"\">\n                                \n                                        <\/div>\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/classica_logochoc.jpg-150x150.webp\" alt=\"\">\n                                \n                                        <\/div>\n                <\/div>\n    <\/div>\n    \n    \n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group hide-desktop-block\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"J.S. Bach, Motets | Pygmalion, Rapha\u00ebl Pichon (teaser)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/i5TJDU4T_xQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<iframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/fr\/album\/johann-sebastian-bach-motets\/1531479515\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n    <!-- revue de presse -->\n        <div class=\"block-programme-press\">\n        <h2><span class='first-char'>L<\/span>a presse en parl<span class='last-char'>e<\/span><\/h2>\n\n        <div class=\"press-releases\">\n        <div class=\"row\">                \n                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Classica                <\/div>\n                                            <div class=\"description\">\n                    <p>\u2018Rapha\u00ebl Pichon&#8217;s alliance with Pygmalion transports us into a vibrational harmony that resonates powerfully with the composer&#8217;s language.\u2019 (Philippe Venturini, 2020)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    Classica                <\/div>\n                                            <div class=\"description\">\n                    <p>The alliance between St\u00e9phanie-Marie Degand and Violaine Cochard, and that between Rapha\u00ebl Pichon and Pygmalion, transport us into a vibratory harmony that resonates loudly with the composer&#8217;s language. (Philippe Venturini, 2020)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    France Musique                <\/div>\n                                            <div class=\"description\">\n                    <p>\u2018Rapha\u00ebl Pichon discovered these motets when he was 10 years old, as he sang them. This is the fifth recording that the conductor and his ensemble have dedicated to the composer, and it has everything: fervour, breath and precision.\u2019 (Emilie Munera and Rodolphe Bruneau-Boulmier, 2020)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    ResMusica                <\/div>\n                                            <div class=\"description\">\n                    <p>&#8216;The choir delivers a jubilant, lively, theatrical performance that emphasises the text. Rapha\u00ebl Pichon opts for a discreet continuo that allows the listener to fully appreciate the dizzying contrapuntal writing of the choral parts. The recording also benefits from magnificent sound engineering (Hugues Deschaux) and interesting commentary by Rapha\u00ebl Pichon in the booklet, particularly on his close relationship with these motets.&#8217; (Jean-Baptiste de La Taille, 2020)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                <\/div>        <\/div>\n    <\/div>\n    \n    \n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"J.S. Bach: Lobet den Herrn, alle Heiden BWV 230 | Pygmalion, Rapha\u00ebl Pichon\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/0WNOLJtpKq0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer hide-desktop\"><\/div>\n\n\n\n<div class=\"block-masonry-gallery masonry row-block-programme-block_8a244877050a0c30f23a3dbdab94dd2d \">\n        <\/a>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading title\"><span class='first-char'>D<\/span>istributio<span class='last-char'>n<\/span><\/h2>\n\n\n        <div class=\"distribution grid\">\n        <div class=\"freetext\"><b>Choir<\/b><\/div><div class=\"artist\"><span class=\"name\">Ulrike Barth, Ad\u00e8le Carlier, C\u00e9cile Dalmon, Anne-Emmanuelle Davy, Perrine Devillers, Ma\u00eflys de Villoutreys, Alice Foccroulle, Armelle Cardot-Froeliger, Marie-Fr\u00e9d\u00e9rique Girod, Marie Planinsek<\/span>, <span class=\"role\">sopranos<\/span><\/div><div class=\"artist\"><span class=\"name\">Corinne Bahuaud, Philippe Barth, Marie Pouchelon, Lucile Richardot, William Shelton, Alexander Schneider<\/span>, <span class=\"role\">mezzo-sopranos<\/span><\/div><div class=\"artist\"><span class=\"name\">Didier Chassaing, Olivier Coiffet, Davy Cornillot, Constantin Goubet, Guillaume Gutierrez, Randol Rodriguez<\/span>, <span class=\"role\">tenors<\/span><\/div><div class=\"artist\"><span class=\"name\">Virgile Ancely, Nicolas Boulanger, Renaud Br\u00e8s, Nicolas Brooymans, Guillaume Olry, Ren\u00e9 Ramos Premier<\/span>, <span class=\"role\">basses<\/span><\/div><br><br><div class=\"freetext\"><b>Orchestra<\/b><\/div><div class=\"artist\"><span class=\"name\">Antoine Touche<\/span>, <span class=\"role\">cello<\/span><\/div><div class=\"artist\"><span class=\"name\">Thomas de Pierrefeu<\/span>, <span class=\"role\">double bass<\/span><\/div><div class=\"artist\"><span class=\"name\">Thomas Dunford<\/span>, <span class=\"role\">archlute<\/span><\/div><div class=\"artist\"><span class=\"name\">Thibaut Roussel<\/span>, <span class=\"role\">theorbo<\/span><\/div><div class=\"artist\"><span class=\"name\">Matthieu Boutineau<\/span>, <span class=\"role\">organ<\/span><\/div><div class=\"artist\"><span class=\"name\">Pierre Gallon<\/span>, <span class=\"role\">organ and harpsichord<\/span><\/div><br><div class=\"artist\"><span class=\"name\">Rapha\u00ebl Pichon<\/span>, <span class=\"role\">direction<\/span><\/div>    <\/div>\n    \n    \n","protected":false},"excerpt":{"rendered":"<p>Motets Johann Sebastian Bach, Vincenzo Bertolusi, Jacobus Gallus, Giovanni Gabrieli The absolute summit of polyphonic art, Bach\u2019s motets exult with a joy that may be found surprising when one knows their most frequent liturgical use: at funeral ceremonies. Taking up the invitation of the Motet BWV 225, Rapha\u00ebl Pichon and his musicians draw us into <a href=\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/bach-%c2%b7-motets\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  Bach \u00b7 Motets<\/span><\/a><\/p>\n","protected":false},"featured_media":1324,"template":"","class_list":["post-2813","enregistrement","type-enregistrement","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Bach \u00b7 Motets - Pygmalion<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/bach-\u00b7-motets\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bach \u00b7 Motets - Pygmalion\" \/>\n<meta property=\"og:description\" content=\"Motets Johann Sebastian Bach, Vincenzo Bertolusi, Jacobus Gallus, Giovanni Gabrieli The absolute summit of polyphonic art, Bach\u2019s motets exult with a joy that may be found surprising when one knows their most frequent liturgical use: at funeral ceremonies. 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