{"id":2808,"date":"2025-09-17T13:19:24","date_gmt":"2025-09-17T11:19:24","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/enregistrement\/bach-%c2%b7-handel\/"},"modified":"2026-02-03T12:45:12","modified_gmt":"2026-02-03T11:45:12","slug":"bach-%c2%b7-handel","status":"publish","type":"enregistrement","link":"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/bach-%c2%b7-handel\/","title":{"rendered":"Bach \u00b7 Handel"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:41.6%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"756\" height=\"756\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/Sabine-Devieilhe-Bach-Handel_SQ-cover-Digital_preview.jpg.webp\" alt=\"\" class=\"wp-image-1513\" srcset=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/Sabine-Devieilhe-Bach-Handel_SQ-cover-Digital_preview.jpg.webp 756w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/Sabine-Devieilhe-Bach-Handel_SQ-cover-Digital_preview.jpg-300x300.webp 300w, https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/Sabine-Devieilhe-Bach-Handel_SQ-cover-Digital_preview.jpg-150x150.webp 150w\" sizes=\"auto, (max-width: 756px) 100vw, 756px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group hide-mobile-block\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sabine Devieilhe \u2013 Handel: Il Trionfo del Tempo e del Disinganno: &quot;Pure del cielo&quot; &amp; &quot;Tu del ciel&quot;\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/CZ9zk7_lm2M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:8.3%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Bach &amp; Handel<\/h2>\n\n\n\n<p><br>Great sorrow and great joy, expressed in in sacred and secular arias and cantatas, are the themes of Sabine Devieilhe\u2019s album of Bach and Handel. Recorded with the Pygmalion ensemble and conductor Rapha\u00ebl Pichon, it features appearances by baritone St\u00e9phane Degout and lutenist Thomas Dunford and includes Bach\u2019s cantatas \u2018Mein Herze schwimmt im Blut\u2018 and \u2018Jauchzet Gott in allen Lande\u2019, and excerpts from Handel\u2019s Brockes Passion and&nbsp;<em>Giulio Cesare<\/em>. <br>&#8216;This is possibly the most personal programme I\u2019ve recorded so far,\u201d says Sabine Devieilhe, \u201cand I\u2019ve been lucky enough to record it with the Pygmalion ensemble and my husband Rapha\u00ebl Pichon. We really wanted to convey the idea of human emotion that at times goes beyond our understanding, and which creates music of extraordinary drama.&#8217;<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-space-between is-layout-flex wp-container-core-buttons-is-layout-e3bc7287 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-violet-background-color has-background wp-element-button\">BUY<\/a><\/div>\n<\/div>\n\n\n\n<p><br>Erato, 5 November 2021.<br>1 hour 23 minutes \u2014 1 CD. <\/p>\n\n\n\n\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Prix<\/h3>\n\n\n\n    <!-- revue de presse -->\n        <div class=\"block-recompenses\">\n        <div class=\"recompenses\">\n                    <div class=\"element-recompense\">\n                                            \n                                    <img decoding=\"async\" src=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/classica_logochoc.jpg-150x150.webp\" alt=\"\">\n                                \n                                        <\/div>\n                <\/div>\n    <\/div>\n    \n    \n\n\n\n<div class=\"wp-block-group hide-desktop-block\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sabine Devieilhe \u2013 Handel: Il Trionfo del Tempo e del Disinganno: &quot;Pure del cielo&quot; &amp; &quot;Tu del ciel&quot;\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/CZ9zk7_lm2M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<iframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/bach-handel\/1584174472\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n    <!-- revue de presse -->\n        <div class=\"block-programme-press\">\n        <h2><span class='first-char'>L<\/span>a presse en parl<span class='last-char'>e<\/span><\/h2>\n\n        <div class=\"press-releases\">\n        <div class=\"row\">                \n                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    UK Classic Review                <\/div>\n                                            <div class=\"description\">\n                    <p>&#8216;Most often, a sacred song such as \u201cMein Jesu! Was f\u00fcr Seelenweh\u201d (BWV 487) appears as an appendix to a carefully planned programme (&#8230;) in this album, it immediately captures the listener&#8217;s attention, showcasing Sabine Devieilhe&#8217;s voice in all its splendour: pure, captivating and rich in nuance.&#8217; (Tal Agam, 2021)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    UK Classic Review                <\/div>\n                                            <div class=\"description\">\n                    <p>&#8216;Matthieu Boutineau performs the organ solos here and, accompanied by Rapha\u00ebl Pichon and Pygmalion, offers a performance as exciting as those recorded previously, supported by an enthusiastic continuo group consisting of a harpsichord, a lute and a double bass, which add an extra rhythmic touch.&#8217; (Tal Agam, 2021)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                    <div class=\"col-xs-12 col-md-6 col-lg-4\">            <div class=\"element-press-release\">\n                            <div class=\"name\">\n                    New York Times                <\/div>\n                                            <div class=\"description\">\n                    <p>&#8216;Time seems to stand still when Bellezza \u2013 Beauty \u2013 purifies herself of her \u201cunfaithful desires\u201d and \u201cvain passions\u201d by turning to God at the end of Handel&#8217;s Il Trionfo del Tempo e del Disinganno. It is a moment that Sabine Devieilhe sings with appropriate simplicity, while lutenist Thomas Dunford, violinist Sophie Gent and conductor Rapha\u00ebl Pichon seem to cast a spell around her, as if to lift her up to the heavens.&#8217; (David Allen)<\/p>\n                <\/div>\n                            <\/div>\n            <\/div>                <\/div>        <\/div>\n    <\/div>\n    \n    \n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sabine Devieilhe sings Bach &amp; Handel \u2013 sacred and secular arias and cantatas\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/FgwoXnMAO5c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer hide-desktop\"><\/div>\n\n\n\n<div class=\"block-masonry-gallery masonry row-block-programme-block_590dfd94d9befe2cd1af9cbd9ac70f45 \">\n        <\/a>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading title\"><span class='first-char'>D<\/span>istributio<span class='last-char'>n<\/span><\/h2>\n\n\n        <div class=\"distribution grid\">\n        <div class=\"artist\"><span class=\"name\">Sabine Devieilhe<\/span>, <span class=\"role\">soprano<\/span><\/div><br><div class=\"freetext\">Orchestra<\/div><div class=\"artist\"><span class=\"name\">Sophie Gent (solo 19, 20, 23), Sandrine Dup\u00e9, B\u00e9atrice Linon, Yukiko Tezuka<\/span>, <span class=\"role\">violins 1<\/span><\/div><div class=\"artist\"><span class=\"name\">Louis Creac&#039;h (solo track 23), Paul-Marie Beauny, Gabriel Ferry, Coline Ormond<\/span>, <span class=\"role\">violins 2<\/span><\/div><div class=\"artist\"><span class=\"name\">Fanny Paccoud,  Katya Polin, Marta Paramo<\/span>, <span class=\"role\">violas<\/span><\/div><div class=\"artist\"><span class=\"name\">Julien Barre (solo track 17, 22), Cyril Poulet<\/span>, <span class=\"role\">cellos<\/span><\/div><div class=\"artist\"><span class=\"name\">Lucile Boulanger (solo track 8)<\/span>, <span class=\"role\">viola da gamba<\/span><\/div><div class=\"artist\"><span class=\"name\">Thomas de Pierrefeu<\/span>, <span class=\"role\">double bass<\/span><\/div><div class=\"artist\"><span class=\"name\">Georges Barthel<\/span>, <span class=\"role\">flute<\/span><\/div><div class=\"artist\"><span class=\"name\">Jasu Moisio, Lidewei de Sterck<\/span>, <span class=\"role\">oboes<\/span><\/div><div class=\"artist\"><span class=\"name\">Evol\u00e8ne Kiener, Josep Casadella<\/span>, <span class=\"role\">bassoons<\/span><\/div><div class=\"artist\"><span class=\"name\">Hannes Rux<\/span>, <span class=\"role\">trumpet<\/span><\/div><div class=\"artist\"><span class=\"name\">Thomas Dunford (solo track 1)<\/span>, <span class=\"role\">lute<\/span><\/div><div class=\"artist\"><span class=\"name\">Pierre Gallon<\/span>, <span class=\"role\">harpsichord<\/span><\/div><div class=\"artist\"><span class=\"name\">Matthieu Boutineau (solo track 2)<\/span>, <span class=\"role\">organ<\/span><\/div><br><div class=\"artist\"><span class=\"name\">Rapha\u00ebl Pichon<\/span>, <span class=\"role\">direction<\/span><\/div>    <\/div>\n    \n    \n","protected":false},"excerpt":{"rendered":"<p>Deep sadness and intense joy, expressed in secular and sacred arias and cantatas, are the two themes of soprano Sabine Devieilhe&#8217;s new album, recorded with the Pygmalion ensemble conducted by Rapha\u00ebl Pichon.<\/p>\n","protected":false},"featured_media":1514,"template":"","class_list":["post-2808","enregistrement","type-enregistrement","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - 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