{"id":2805,"date":"2025-09-24T17:03:25","date_gmt":"2025-09-24T15:03:25","guid":{"rendered":"https:\/\/ensemblepygmalion.com\/enregistrement\/orphee-et-eurydice\/"},"modified":"2026-01-21T11:30:40","modified_gmt":"2026-01-21T10:30:40","slug":"orphee-et-eurydice","status":"publish","type":"enregistrement","link":"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/orphee-et-eurydice\/","title":{"rendered":"Orph\u00e9e et Eurydice"},"content":{"rendered":"\n
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Orph\u00e9e et Eurydice<\/h2>\n\n\n\n

Christoph Willibald Gluck<\/h5>\n\n\n\n


Opera in 4 acts, 1762.
1859 version by Hector Berlioz, libretto by Pierre-Louis Moline.<\/p>\n\n\n\n

When the voice triumphs over Hell: Marianne Crebassa, H\u00e9l\u00e8ne Guilmette and Rapha\u00ebl Pichon transcend Gluck\u2019s Orpheus and Eurydice<\/em> in a vertiginous production at the Op\u00e9ra Comique.<\/p>\n\n\n\n

A mesmerizing plunge into the darkness and light of the human soul, Gluck\u2019s Orpheus and Eurydice<\/em> shook the Age of Enlightenment in Europe with its dramatic purity and emotional intensity. This visionary masterpiece retraces the myth of Orpheus, a divine musician willing to defy death to reclaim his lost love. His voice alone soothes the Furies, opens the gates of Hell, but love, tested by doubt and pain, confronts an unyielding fate.<\/p>\n\n\n\n

In the sumptuous version revised by Berlioz in 1859, Gluck reaches new heights of lyricism and expressive power. Berlioz draws from the various versions of the work to offer a masterful synthesis, magnifying every breath of the score.<\/p>\n\n\n\n

Under the passionate direction of Rapha\u00ebl Pichon, leading the Ensemble Pygmalion, this production sets the stage of the Op\u00e9ra Comique ablaze with rare intensity. Marianne Crebassa embodies a heartbreaking Orpheus, carried by a voice both luminous and tormented, opposite H\u00e9l\u00e8ne Guilmette, a heart-wrenching Eurydice, and L\u00e9a Desandre, a mischievous yet benevolent Love.<\/p>\n\n\n\n

In a visually and sensorially striking production by Aur\u00e9lien Bory, the myth becomes a poetic fresco, oscillating between dream and reality. Bewitching images, shifting spaces: everything here celebrates the cathartic power of music and the fragility of love in the face of fate.<\/p>\n\n\n\n

An essential opera, imbued with grace and tragedy, where music elevates the soul and makes even the gods tremble.<\/p>\n\n\n\n

Filmed on 16 and 18 October 2018 at the Op\u00e9ra Comique<\/em>.
Directed by Fran\u00e7ois Roussillon.
FRA Prod.<\/p>\n\n\n\n

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L<\/span>a presse en parle<\/span><\/h2>\n\n
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D<\/span>istribution<\/span><\/h2>\n\n\n
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Rapha\u00ebl Pichon<\/span>, musical direction<\/span><\/div>
Aur\u00e9lien Bory<\/span>, staging and scenery<\/span><\/div>
Ta\u00efcyr Fadel<\/span>, dramaturgy<\/span><\/div>
Pierre Dequivre<\/span>, Scenery<\/span><\/div>
Manuela Agnesini<\/span>, costumes<\/span><\/div>
Arno Veyrat<\/span>, lights<\/span><\/div>
Soloist<\/b><\/div>
Marianne Crebassa<\/span>, Orph\u00e9e<\/span><\/div>
H\u00e9l\u00e8ne Guilmette<\/span>, Eurydice<\/span><\/div>
Lea Desandre<\/span>, Amour<\/span><\/div>
Choir<\/b><\/div>
Armelle Cardot Froeliger, Ad\u00e8le Carlier, C\u00e9cile Dalmon, Ellen Giacone, Marie-Fr\u00e9d\u00e9rique Girod, Marie Planinsek, Virginie Thomas<\/span>, sopranos<\/span><\/div>
Corinne Bahuaud, Jean-Christophe Clair, Tobias Knaus, St\u00e9phanie Leclercq, Marie Pouchelon, Yann Rolland <\/span>, altos<\/span><\/div>
Tarik Bousselma, Constantin Goubet, Vincent Laloy, Martial Pauliat, Olivier Rault, Randol Rodriguez<\/span>, tenors<\/span><\/div>
Romain Bazola, Nicolas Boulanger, Sorin Dumitrascu, Yannis Fran\u00e7ois, Louis-Pierre Patron, Pierre Virly<\/span>, basses<\/span><\/div>
Orchestra<\/b><\/div>
Cecilia Bernardini, Cyrielle Eberhardt, Julie Friez, Izleh Henry, Yoko Kawakubo, Rapha\u00eblle Pacault<\/span>, violins 1<\/span><\/div>
Louis Creac'h, Paul-Marie Beauny, Alix Boivert, Sandrine Dupe, B\u00e9atrice Linon<\/span>, violins 2<\/span><\/div>
Fanny Paccoud, Jos\u00e8phe Cottet, Kate Goodbehere, Pierre Vallet<\/span>, violas<\/span><\/div>
Antoine Touche, Arnold Bretagne, Gulrim Choi, Cyril Poulet<\/span>, cellos<\/span><\/div>
Jasu Moisio, Lidewei De Sterck<\/span>, oboes<\/span><\/div>
Georgia Browne, Raquel Dorta<\/span>, flutes<\/span><\/div>
Javier Zafra, Evol\u00e8ne Kiener<\/span>, bassoons<\/span><\/div>
Vincenzo Casale, Ana Melo<\/span>, clarinets<\/span><\/div>
Alessandroi Denabian, Dimer Maccaferri<\/span>, french horn<\/span><\/div>
Emmanuel Mure, Philippe Genestier<\/span>, trumpets<\/span><\/div>
Stefan L\u00e9g\u00e9e, St\u00e9phane Muller, Franck Poitrineau<\/span>, trombones<\/span><\/div>
Sylvain Fabre<\/span>, percussions<\/span><\/div>
Marie-Domitille Murez<\/span>, harp<\/span><\/div>
Claire Carpentier, Elodie Chan, Yannis Fran\u00e7ois, Tommy Entresangle, Margherita Mischitelli, Charlotte Siepiora<\/span>, dancers \/ circassians<\/span><\/div>
<\/div>\n \n \n","protected":false},"excerpt":{"rendered":"

Deep sadness and intense joy, expressed in secular and sacred arias and cantatas, are the two themes of soprano Sabine Devieilhe’s new album, recorded with the Pygmalion ensemble conducted by Rapha\u00ebl Pichon.<\/p>\n","protected":false},"featured_media":1824,"template":"","class_list":["post-2805","enregistrement","type-enregistrement","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nOrph\u00e9e et Eurydice - Pygmalion<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/orphee-et-eurydice\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Orph\u00e9e et Eurydice - Pygmalion\" \/>\n<meta property=\"og:description\" content=\"Deep sadness and intense joy, expressed in secular and sacred arias and cantatas, are the two themes of soprano Sabine Devieilhe's new album, recorded with the Pygmalion ensemble conducted by Rapha\u00ebl Pichon.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/orphee-et-eurydice\/\" \/>\n<meta property=\"og:site_name\" content=\"Pygmalion\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ensemblepygmalion\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-21T10:30:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ensemblepygmalion.com\/wp-content\/uploads\/2025\/09\/dvd_orphee_eurydice.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1026\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/orphee-et-eurydice\/\",\"url\":\"https:\/\/ensemblepygmalion.com\/en\/enregistrement\/orphee-et-eurydice\/\",\"name\":\"Orph\u00e9e et Eurydice - 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