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1.0Pygmalionhttps://ensemblepygmalion.com/en/rich600338<blockquote class="wp-embedded-content" data-secret="znDcC5fWhW"><a href="https://ensemblepygmalion.com/en/temps-fort/2021/">2021</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://ensemblepygmalion.com/en/temps-fort/2021/embed/#?secret=znDcC5fWhW" width="600" height="338" title="“2021” — Pygmalion" data-secret="znDcC5fWhW" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://ensemblepygmalion.com/wp-includes/js/wp-embed.min.js </script> Brahms’s human requiem: an immersive experience at the Bordeaux submarine base For the second edition of its Pulsations festival, Pygmalion performs this monumental choral work in an immersive and interactive version conceived by Jochen Sandig. Created in Berlin in 2012 as a stage production where the boundary between audience and performers is blurred in favour ... ...https://ensemblepygmalion.com/wp-content/uploads/2026/01/screenshot.jpg1200900